Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MorePosted by Victoria Zavyalova | 19th Sep 2025 | Adaptation, New York, Review, United States of America
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MorePosted by Teodora Medeleanu | 10th Aug 2025 | Poland, Review, Theatre and Science
Sitting through 5 and a half hours of performance might seem like an exercise of will and...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Edinburgh 2024, Italy, Review, United Kingdom
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
Read MorePosted by Antonio Hernández Nieto | 10th Dec 2019 | Festivals, Review, Spain, Theatre and Religion
It is autumn in Madrid, Spain. A small group of theatergoers has arrived at Zapadores, a new art...
Read MorePosted by Emiliia Dementsova | 2nd Nov 2019 | Festivals, Poland, Review, Russia, Theatre Olympics 2019
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read MorePosted by Abigail Weil | 24th Feb 2019 | Musical Theatre, New York, Review, United States of America
In 2004, Gwen Stefani, lately of the band No Doubt, released a song called Rich Girl which sampled...
Read MorePosted by Andreea Scridon | 21st May 2017 | Review, Romania, Theatre and Politics
Marin Sorescu’s Jonah was originally published in 1968 and is considered the playwright’s...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 