Bound To Start Again, Again, Again…
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
Read More
Tag: Theatre and Migration
Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
Read More
When It Comes For Us: “Prophet Song”
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
Read More
“A Place Of Safety, A Journey In The Central Mediterranean”
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
Read More
“Leili And Majnun:” An Ancient Love Story For Modern Times
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
Read More
Biography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read More
“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read More
Shakespeare In The Park At The New Delacorte Theater: Love Is Gender Fluid
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read More
Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
Read More
“Dear Shameless Death – Dirmit” by Tiyatro Hemhâl: A Gift of Resistance
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
Read More![“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/FIGURE4-627x376.jpg.webp)
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More
Acting As Social Practice: Theater As A Tool To Initiate Dialogue In A Hyperdiverse Immigration Society
Artistic practice, which allows for the creation and re-creation of social spaces as testing...
Read More
“The Hope Theory:” A Recipe For Believing In Your Dreams
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read More
“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MoreLike Us On Facebook
Most Popular Posts
From Richard To Richard: MITEM 2026 And a Europe in… 14th April 2026 - David Yazbek: The Master of Adapting Films into… 2nd April 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- Michael Frayn’s “Copenhagen” at the Hampstead… 14th April 2026
- Maxim Sukhanov – About The “Brew”… 1st May 2026
- Chekhov’s “Uncle Vanja”, directed… 14th April 2026
