Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
Read MorePosted by Nobuko Tanaka | 1st Aug 2019 | Adaptation, Directing, Japan, News, Thailand, Transcultural Collaborations
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
Read MorePosted by Rathsaran Sireekan | 19th May 2019 | Belgium, Essay, Theatre and Dance, Theatre and Decolonization
Author: Rathsaran Sireekan Contemporary art’s desire to be “contemporary”, for many practitioners,...
Read MorePosted by Aleks Sierz | 20th Feb 2019 | London, Review, United Kingdom
Gender fluidity should be fun—after all, it’s all about love. And love can take any shape it...
Read MorePosted by Nobuko Tanaka | 21st Oct 2018 | Festivals, Japan, News
If the inclusion of Festival/Tokyo in Tokyo Festival’s diverse program of performing arts is any...
Read More


Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025