“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
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Tag: Texas
“Look What You Made Me Do”: Marketing “POTUS” on Social Media
How do you market theatre on social media? What strategies can a social media manager use to...
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“What the Constitution Means to Me” Is As Timely As Ever
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
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An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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Where Earth Meets The Sky: Decolonizing Latinxfuturistic Theatre
Of all of the performances and plays I have seen, this one stands out uniquely for several...
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Sin Muros: Interview with Lupe Mendez
Sin Muros: A Borderless Teatro Festival returns to Stages in Houston February 17-20, 2022. Now in...
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Sin Muros: Interview with Playwright Adrienne Dawes
Sin Muros: A Borderless Teatro Festival is back at Stages in Houston. Now in its fifth year, the...
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Hybrid Vigor: Frankenthaler and Ravel, Part of the “Hearing Color, Seeing Time” Series
To the right of the piano, hung on the far wall of the space, was the ravishing 103 x 172.5 inch acrylic on canvas. The Frankenthaler abstract painting dominated the space with a wash of undulating colors and shapes. Rothenberg opened with commentary about the connections between these two works of art explaining that while it’s challenging to talk about abstract works, as Baudelaire wrote, sometimes the combination of two difficult pieces can clarify and reveal the heart of the works.
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Three Houston Theatres Collaborate to Produce Quiara Alegría Hudes’ “Elliot” Trilogy
How often do audiences in a given city get the chance to see a full body of work by a single...
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Latinx Stories Front and Center: Cara Mía Theatre Co’s 2019-2020 Season
Ask anyone about the best theatre cities in the United States and they will inevitably mention New...
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Kitchen Dog Theater Brings “Wolf at the Door” to Dallas
I first met Marisela Treviño Orta at the Encuentro Theatre Festival in 2014. While we quickly hit...
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Sin Muros: Why I’m Producing a Latinx Theatre Festival
A lot has happened in the last year—locally in Houston, across the state of Texas, in the United...
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Sin Muros: Interview With “The Corrido Of The San Patricios” Playwright Beto O’Byrne
This February, playwright Beto O’Byrne’s The Corrido Of The San Patricios will receive a staged...
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Sin Muros: Interview with “Then They Forgot About the Rest” Playwright Georgina Escobar
This February, playwright Georgina Escobar’s Then They Forgot About the Rest will receive a staged...
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“Oklahoma!” Is Still OK
I grew up on Oklahoma! Now, I’m not sure how many Millennials can share this feeling, but that was...
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Rogue Productions Bounces Back From Hurricane Harvey With “I Love You Because”
After a successful run of Matt & Ben in January 2017, Houston theatre company Rogue...
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Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado
While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...
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Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
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Sin Muros: Creating a Space for Latinx Theatre in Houston
Since moving to Houston, Texas, in 2012, I’ve been amazed at the abundance of theatre...
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Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría
This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...
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