Amir Nizar Zuabi’s “This Is Who I Am:” A Reminder of Family, Humanity, and the Power of Theatre
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
Read MorePosted by Rhiannon Ling | 2nd Jan 2021 | Covid-19, Review, United States of America
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
Read MorePosted by Taylor L. Ciambra | 21st Aug 2019 | Review, United States of America
“They [the Macbeths] have many attributes that we all share in contemporary society, including...
Read MorePosted by Taylor L. Ciambra | 10th Jun 2019 | Musical Theatre, Review, United States of America
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
Read MorePosted by Jane Baldwin | 9th Feb 2019 | Boston, Review, Theatre and Politics, United States of America
An updated version of Othello now playing at the American Repertory Theatre in Cambridge...
Read MorePosted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Read MorePosted by Trevor Boffone | 10th May 2017 | News, Playwriting, United States of America
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 


Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026