“The Popess” Visits The Edinburgh Fringe Festival
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Edinburgh 2024, Italy, Review, United Kingdom
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
Read MorePosted by Maria Pia Pagani | 25th Apr 2020 | Covid-19, Italy, News, Transmedia
Because of COVID-19, Italian singers can only continue to work online by using live streaming. The...
Read MorePosted by Armando Rotondi | 3rd Dec 2018 | Books
Published in the Canon Of European Drama series for Edizioni ETS, European Cultural Identity. Law,...
Read MorePosted by Vincenzo Sansone | 31st Aug 2018 | Essay, Italy, Theatre and Art, Transmedia
Studio Azzurro is an Italian group that has been working with different performative languages...
Read MorePosted by culture.pl | 29th Jul 2018 | News, Poland, Transmedia
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
Read MorePosted by Davide Cioffrese | 8th Jun 2018 | Acting, Essay, Italy
It is not easy to approach a work such as Giorgio Strehler’s Arlecchino Servitore Di Due...
Read MorePosted by Margaret Rose | 15th Oct 2016 | Dramaturgy, Essay, Italy, Playwriting
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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