In Poor Voice
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
Read MorePosted by Jonathan Kalb | 3rd Mar 2024 | Review, Transmedia, United States of America
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
Read MorePosted by Maria Delgado | 23rd Sep 2019 | Review, Spain, Theatre and Gender
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
Read MorePosted by Wendy Arons | 1st Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
A large–one might venture to say, deliberately oversized–dark blue door dominates the elegantly...
Read MorePosted by Matthew McMahan | 4th Feb 2019 | Boston, Review, Theatre and Gender, United States of America
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
Read MorePosted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
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