Sydney Theatre Company’s “Dracula”: A Virtuosic Performance, Sexy Staging, And A Queer Rewriting
The figure of Dracula has always lived somewhere between the written word, screen projections and...
Read MorePosted by Huw Griffiths | 16th Jul 2024 | Adaptation, Australia, Review
The figure of Dracula has always lived somewhere between the written word, screen projections and...
Read MorePosted by Mert Dilek | 19th Feb 2024 | London, Review, United Kingdom
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read MorePosted by Huw Griffiths | 5th Aug 2023 | Australia, Review, Sydney, Theatre and Politics
Review: On The Beach, directed by Kip Williams. When Nevil Shute wrote his 1957 novel On the...
Read MorePosted by Gabrielle Edelstein | 25th Nov 2022 | Adaptation, Australia, Review, Sydney
Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...
Read MorePosted by Huw Griffiths | 13th Sep 2022 | Acting, Adaptation, Australia, Review
Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...
Read MorePosted by The Theatre Times | 17th Sep 2014 | Australia, Dramaturgy, News, Sydney
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
Read MorePosted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

