John Freedman on New Russian Drama
Aleena Karim interviews John Freedman, an acclaimed American critic, translator and playwright, on...
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Tag: dont-miss
Where are Women’s Voices in Translation?
Our correspondent Amelia Parenteau attended a “consciousness-raising” discussion of...
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Looking Back and Moving Forward with Okello Kelo Sam
TheTheatreTimes correspondent Amelia Parenteau interviews Ugandan writer/performer Okello Kelo Sam...
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A Pig’s Head at the Moscow Art Theater
On April 1st, 2015, orthodox activists, calling themselves “God’s Will”,...
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Sasha Dugdale Recalls the Origins of New Drama in Russia
Back when I used to publish a blog called TheaterPlus on the website of The Moscow Times, I would...
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Tony Allotta & Valeria Colucci Explain Teatro Valle Occupato
In the spring of 2012, TheTheatreTimes.com, along with members of The Fence network, spent a few...
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Teatr Chorea’s Retro//Per//Spectives Festival: Part 3
After the enormous Oratorium Dance Project, in 2011, no one wanted to stop working with the Łódź...
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“Naked, Obscene Theater, That’s What Our People Fear” – On Russian Theatre and Politics
Kirill Serebrennikov, the artistic director of Moscow’s innovative Gogol Center, and a...
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Teatr Chorea’s Retro//Per//Spectives Festival: Part 1
American writer/director, Dara Weinberg, live-blogs for TheTheatreTimes.com from Teatr...
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How Online Performance Needs to Grow
This post discusses the emergence and evolution of digital art and online performance in the...
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Natalya Vorozhbit Writes Verbatim “Maidan” Play
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
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Madrid’s Microtheatre Revitalizes Local Scene
On a Saturday night, Madrid’s Microtheatre performs 54 mini-shows back to back in the...
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