A Tight, Living Room Drama of a Family in Crisis, “Appropriate” Explores Truth-Telling and Dark Histories
Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...
Read MorePosted by Heidi Norman and Jennifer Newman | 20th Jul 2021 | Australia, Review, Sydney
Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...
Read MorePosted by Aisling Murphy | 25th Feb 2020 | Canada, Participatory Theatre, Review
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
Read MorePosted by Tonderai Chiyindiko | 7th Feb 2020 | Africa, Interview, South Africa, Theatre and Age
Any interview with Mbuso Khoza is both a wide-ranging history lesson and a remarkable exploration...
Read MorePosted by Bronwyn Carlson | 25th Jan 2020 | Australia, Festivals, Review
Seven senior lawmen discuss what to do about approaching ships in Frederick Copperwaite’s...
Read MorePosted by Katalin Trencsényi | 28th Sep 2019 | Australia, London, Review, United Kingdom
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
Read MorePosted by Jane Baldwin | 26th Dec 2018 | Nigeria, Review, Theatre and Gender, United Kingdom
Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...
Read MorePosted by Aleks Sierz | 27th Oct 2018 | London, Review, United Kingdom
It’s all in the title, isn’t it? Martin McDonagh’s surreal new play comes with a warning that not...
Read MorePosted by Nicole Birmann Bloom | 22nd Sep 2018 | Adaptation, France, Interview
The 7th Edition of Seuls en scène, Princeton French Theater Festival presents Harlem...
Read MorePosted by Bryoni Trezise | 8th Aug 2018 | Australia, News, Theatre and Decolonization, Theatre and Politics
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026 