Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Mark Byron | 5th Jul 2021 | Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Mert Dilek | 24th May 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Read MorePosted by Clement Lee | 9th Nov 2018 | Applied Theatre, Australia, Hong Kong, Review
Hong Kong Repertory Theatre (HKREP) has been presenting the biannual International Black Box...
Read MorePosted by Aida Rocci | 19th Jan 2017 | News, Spain, Transcultural Collaborations, United Kingdom
Rodrigo Arribas (from Span’s Fundación Siglo de Oro) describes the transnational collaborative process that gave rise to his company, which has been the first to present a non-English speaking author at the Shakespeare Globe. Reflecting on the models that have arisen from the collaboration between Spain and the UK, he reflects on what differentiates and unites us in theatre.
Read MorePosted by Aida Rocci | 19th Nov 2016 | London, Review, United Kingdom
J. B. Priestley’s most famous play An Inspector Calls has had quite an interesting life. Written...
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