Tag: Camden People’s Theatre

Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity

Posted by Aleks Sierz | 26th Sep 2022 | London, Palestine, Review, Theatre and Politics, United Kingdom

Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...

Read More

Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”

Posted by Yizhou Zhang | 5th Jul 2022 | China, LGBTQ+ Theatre, London, Review, Theatre and Disability, United Kingdom

As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...

Read More

“Are There Female Gorillas?” Camden People’s Theatre

Posted by Laura Kressly | 8th Jun 2019 | The Play's The Thing UK

The patriarchy has a lot to answer for, including what must be a ridiculous profit margin for the...

Read More

The Futility Of Mediated Communication: “Together” At Camden Underground

Posted by Haylin Cai | 3rd Nov 2018 | China, Chinese Theatre Abroad, London, Review, Transmedia, United Kingdom

Exploring the common phenomenon of livestream communication in modern society, the performance...

Read More

The Most Spectacular Theatres To Visit In The UK

Posted by Amber Massie-Blomfield | 3rd Jun 2018 | Essay, United Kingdom

I have seen performances in a theatre-on-wheels, an old Welsh steelworks, and a Victorian...

Read More

Theatre Review: “All That Remains” (Olesya Khromeychuk/Molodyi Teatr London, 2018)

Posted by Iga Szczodrowska | 19th Aug 2016 | Review, Ukraine

“A Rare Chance Of Grasping A Genuine Perspective About The Conflict In Ukraine”...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Everything In Programming Matters To Cultivate The… by Ivanka Apostolova Baskar 7th April 2026

Recent Posts

Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“JenXponential,” A Story Of Potential 24th April 2026
“Frankenstein (History Of Hate)” 23rd April 2026
“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire. 22nd April 2026
“Handle With Care” At Milan’s FOG Festival 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest