Sweeney Todd: Not a Demon, But a Barber of Fleet Street
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MorePosted by Lisa Monde | 24th Sep 2023 | Musical Theatre, New York, Review, United States of America
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MorePosted by Michael Appler | 19th Apr 2019 | New York, Review, United States of America
“I’m being pillaged and raped. I’m being pillaged and I’m being raped. And I don’t like it,” says...
Read MorePosted by Michael Appler | 19th Mar 2019 | Musical Theatre, New York, Review, United States of America
Anyone who tells you that Cole Porter’s Kiss Me, Kate isn’t, or can’t be, a kick in the teeth to...
Read MorePosted by Michael Appler | 8th Mar 2019 | Musical Theatre, New York, Review, Theatre and Gender, United States of America
Lincoln Center has reissued its mandate for Lerner and Loewe’s 1956 classic, casting off whatever creative anxiety earlier dogged the production and staging a decidedly lighter, exuberant My Fair Lady.
Read MorePosted by Jonathan Kalb | 10th Feb 2019 | New York, Review, United States of America
Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...
Read MorePosted by Michael Appler | 8th Nov 2018 | LGBTQ+ Theatre, New York, Review, United States of America
You may find that this glorious Broadway revival, led by Michael Urie and Mercedes Ruehl in the same theater where it opened over 35 years ago, burns a softer flame — no less bright, for sure, but perhaps a bit more tender, lit for a time when a drag queen poised before a Broadway audience, while no less political, is imaginably less avant-garde.
Read MorePosted by Jonathan Kalb | 4th May 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
Read MorePosted by Michael Appler | 1st Mar 2018 | New York, Review, Theatre and Gender, United States of America
Where others this season have failed to mount lovable productions of classic Broadway theater, Bartlett Sher’s lush, elegant revival of My Fair Lady is triumphantly successful.
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