“For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy” at Royal Court
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
Read MorePosted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
Read MorePosted by Lynette Goddard | 10th Dec 2021 | Playwriting, Review, United Kingdom
“There’s a sidestep that Europe does where it takes itself out of the triangle… I’m never quite...
Read MorePosted by Aleks Sierz | 17th Sep 2021 | London, Review, United Kingdom
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing,...
Read MorePosted by Irina Yakubovskaya | 11th Feb 2021 | Boston, Education, Interview, Playwriting, United States of America
Driven by his appreciation for authenticity and history, Stephen Sampson created his theatre...
Read MorePosted by Dominic-Madori Davis | 17th Mar 2019 | Interview, Playwriting, United States of America
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



