Critical Generosity as a Decolonial Praxis
A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...
Read MorePosted by Giulia Casalini | 19th Jun 2024 | Austria, Review, Theatre and Decolonization
A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...
Read MorePosted by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Eylül Fidan Akıncı | 20th Jun 2023 | Belgium, LGBTQ+ Theatre, Review, Theatre and Dance
A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...
Read MorePosted by Borisav Matić | 20th Apr 2022 | Applied Theatre, Essay, Serbia, Theatre and Politics
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
Read MorePosted by Joachim Ben Yakoub | 13th Mar 2020 | Chile, Interview, Theatre and Politics, Transcultural Collaborations
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 


Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 