About “The Separation”
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
Read MorePosted by Aleks Sierz | 12th May 2021 | London, Review, Transmedia, United Kingdom
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
Read MorePosted by John Freedman | 8th Apr 2020 | News, Russia, Transmedia
Of all the unexpected things I think I might be able to imagine, one I could never have imagined...
Read MorePosted by Corrie Tan | 31st Jan 2019 | Essay, Singapore
As part of the Asian Theatremakers series Liu Xiaoyi and I are arranging for a time and date to...
Read MorePosted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom
There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...
Read MorePosted by Heather Waters | 18th Jan 2019 | Prototype 2019, Review, Theatre and Gender, Theatre and Opera, United Kingdom, United States of America
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
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Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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