Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the venerated Comédie-Française troupe in tow to present The Damned. The production is an adaptation…
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…opportunity to touch the very first version of Molière’s text, becoming spectators of Ivo van Hove’s performance at the Comédie Française, Molière’s home. Of course, this is not quite the…
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…she had intended. In 2022 she took part in many performances at the Rallye Moi(s) Theatre festival at Antananarivo’s Ivokolo Analakely Malagasy Cultural Centre. Even though they self-produce each show,…
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…in the financial hub that is the economic capital of Côte d’Ivoire, embraces an expressly commercial function; since its first edition in 1993, the event has provided artists with the…
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…Optics of Art” symposium. It brought contemporary media and performance artists Benjamin Vandewalle, Julien Maire, and Sarah Vanagt into dialogue with scholars from theatre studies, history of science, and cognitive…
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…Soul, it will be echoed by the language of overcoming censorship in Ivo van Hove’s production of the Three-act version, censored by Louis XIV Tartuffe or the Hypocrite by Molière,…
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…pages in the east of Ukraine, in Severodonetsk. She wrote the last hundred pages with her own blood in a tent, at the front. Then she burned all the pages….
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Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we are safe because we keep silent. On 27 July a small group…
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…gloomy feeling of memories waking up from a long sleep – this is the atmosphere of the performance. These are the unburied, unmourned pages of memory, the pages of history….
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In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the Earth, took place at the Teatro EDP Gran Vía in Madrid. The…
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…Salomão. The influence of Pinter and Shepard on the script is evident, though the directorial style, with echoes of Ivo van Hove, makes it feel distinctly contemporary. At over two…
Read More![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. I: Visual AI is at the heart of this piece, almost like…
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…– as symbols of consumer society and as representatives of consumerism in their gardens. The title of the novel by Jurica Pavičić, as well as the dramatization by Ivor Martinić,…
Read MoreEllen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the solemnity of the AI biometric cinematic opera “Language Is Leaving Me” with its themes of…
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…avoidance, on the majority of his pages, of conventional panel divisions.” More frequently, De Luca works with the “large, undivided single picture and finds inspired solutions to apportioning the page…
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…plays in the larger Montjuïc Sala Fabià Puigserver. Francisco Casavella’s cult 900-page novel, published in three volumes between 2002 and 2003, has been adapted by Iván Morales into a three-part…
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…actorly vanity and insecurity up against the quirky vanities and insecurities of Chekhov’s characters and holds the result up to us as a fabulously silly mirror that’s also profoundly illuminating….
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…makers, composers and performers made it their specialty and were invited with their projects all over the world. Famous names like Ivo Van Hove or Alain Platel made a lot…
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…work evokes that seen on bigger stages, most notably the recent production of The Damned by Ivo van Hove at Manhattan’s Armory over the summer. Kate McGee’s atmospheric lighting design…
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Olga Braga’s “Donbas” at Theatre 503: Complex… 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026 
Terence Rattigan’s “Man and Boy” at the National… 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… 2nd March 2026 
Picasso’s “Barber” At The Spanish… 24th February 2026 
“Is Love Energy Or Matter?” An Interview With Rok… 11th March 2026 
“Digital Access To The Performing Arts”… 7th March 2026