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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Bloody Ignorant Apes
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Oscar Barney Finn and Paulo Brunetti Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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