Steppenwolf’s Savage New Play -“The Minutes”
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
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United States of America
Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
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Desert Defiance: Las Vegas Theatre Beats The Odds
What happens in Vegas theatre is too unique to let the story of it stay there anymore. There is...
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Tom Rachman’s “Basket Of Deplorables”
Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...
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How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World
Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...
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Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
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A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera
Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...
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Monster Mashup: Mabou Mines Takes On Tennessee Williams
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
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The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park
To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...
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The “KPOP” Invasion in a New American Musical Part I
In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...
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In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
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Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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Are You Ready to ReOrient? Festival Overview By Vidhu Singh, ReOrient Publications Dramaturg
As a team member of the first-time partnership between Golden Thread Productions and Literary...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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Would You Buy A Theatre Ticket For Someone Who Can’t Afford It? Now You Can
A new ticketing system that allows people to buy tickets for others who may not be able to afford...
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Afterthoughts On Ivo van Hove’s “The Fountainhead”
Toward the end of the fourth and final hour of Ivo van Hove’s interminable adaptation of Ayn...
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A Pacific Production Of “The Mountaintop” By Katori Hall
For the past two years, Samoan playwright Victor Rodger has been tireless in bringing plays by...
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Julia Cho’s “Office Hour”
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
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Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
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American Lyric Theater: 10 Years of Nurturing the Future of Opera
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
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