United States of America Archives - Page 46 of 56

Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio

Posted by Trevor Boffone | 28th Jan 2018 | Festivals, Interview, Playwriting, United States of America

Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...

“Ada/Ava”: Silent Film In The 21st Century

Posted by Jane Baldwin | 28th Jan 2018 | Boston, Puppetry, Review, Theatre and Film

ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...

“The Town Hall Affair” Brings Germaine Greer’s 1970s Feminist Debate Roaring Into The Present

Posted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America

The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...

Sin Muros: Creating a Space for Latinx Theatre in Houston

Posted by Trevor Boffone | 25th Jan 2018 | Festivals, News, United States of America

Since moving to Houston, Texas, in 2012, I’ve been amazed at the abundance of theatre...

“Fellow Travelers”: A Prototype for Contemporary Opera

Posted by The Theatre Times | 25th Jan 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, Theatre and Politics, United States of America

As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...

Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría

Posted by Trevor Boffone | 19th Jan 2018 | Festivals, Interview, Playwriting, United States of America

This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Posted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations

The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...

Casting In Multiethnic And Multiracial Context: Changing Perspectives

Posted by Taurie Kinoshita | 18th Jan 2018 | Essay, Hawaii, Transcultural Collaborations

Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...

Steppenwolf’s Savage New Play -“The Minutes”

Posted by Wes Drummond | 17th Jan 2018 | Chicago, Review, Theatre and Politics

“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...

Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company

Posted by Rebekah Unsworth | 17th Jan 2018 | Design, Interview, New York, Theatre and Disability, United States of America

Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...

Desert Defiance: Las Vegas Theatre Beats The Odds

Posted by Sarah O'Connell | 11th Jan 2018 | Las Vegas, Review, United States of America

What happens in Vegas theatre is too unique to let the story of it stay there anymore. There is...

Tom Rachman’s “Basket Of Deplorables”

Posted by Rajka Stefanovska | 8th Jan 2018 | Adaptation, Books, Review, United States of America

Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...

How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World

Posted by Jeff Goldberg | 7th Jan 2018 | Interview, Japan, New York, Theatre and Dance, United States of America

Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

Posted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America

Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Posted by Kristin Tomecek | 6th Jan 2018 | Chicago, Review, Theatre and Opera, United States of America

Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

Posted by Walter Byongsok Chon | 2nd Jan 2018 | Interview, Musical Theatre, New York, South Korea, Transcultural Collaborations

To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...

The “KPOP” Invasion in a New American Musical Part I

Posted by Walter Byongsok Chon | 1st Jan 2018 | Essay, Musical Theatre, New York, South Korea, Transcultural Collaborations, United States of America

In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

Posted by Sarah Churchwell | 25th Dec 2017 | Essay, Playwriting, Theatre and Politics, United Kingdom, United States of America

It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Posted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America

Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...

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United States of America

Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio

“Ada/Ava”: Silent Film In The 21st Century

“The Town Hall Affair” Brings Germaine Greer’s 1970s Feminist Debate Roaring Into The Present

Sin Muros: Creating a Space for Latinx Theatre in Houston

“Fellow Travelers”: A Prototype for Contemporary Opera

Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Casting In Multiethnic And Multiracial Context: Changing Perspectives

Steppenwolf’s Savage New Play -“The Minutes”

Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company

Desert Defiance: Las Vegas Theatre Beats The Odds

Tom Rachman’s “Basket Of Deplorables”

How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Monster Mashup: Mabou Mines Takes On Tennessee Williams

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

The “KPOP” Invasion in a New American Musical Part I

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

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