Claire Dowie’s Why Is John Lennon Wearing a Skirt? at the Finborough Theatre: Pioneering Queer Theatre Artist Revisits Her Greatest Hits
Let us always remember the pioneers. Although there is a fair amount of relatively mainstream...
Read MorePosted by Aleks Sierz | 19th Jun 2025 | LGBTQ+ Theatre, Review, United Kingdom
Let us always remember the pioneers. Although there is a fair amount of relatively mainstream...
Read MorePosted by Aleks Sierz | 17th Jun 2025 | London, Review, Theatre and Politics, United Kingdom
Only the truth, we are told, can set us free — but there are times in love when the New Testament...
Read MorePosted by Lisa Monde | 16th May 2025 | Interview, Musical Theatre, Spain, United Kingdom
For the first part of the interview go here. From the earliest musicals, one can trace the...
Read MorePosted by Duška Radosavljević | 15th May 2025 | Review, Theatre and Politics, United Kingdom
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read MorePosted by Duška Radosavljević | 14th May 2025 | Review, Theatre and Politics, United Kingdom
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Aleks Sierz | 15th Apr 2025 | LGBTQ+ Theatre, Review, United Kingdom
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
Read MorePosted by Aleks Sierz | 11th Apr 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
Read MorePosted by Aleks Sierz | 28th Mar 2025 | Acting, London, Review, United Kingdom
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
Read MorePosted by Aleks Sierz | 21st Mar 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
Read MorePosted by Aleks Sierz | 5th Mar 2025 | Acting, Playwriting, Review, United Kingdom
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 21st Feb 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
British people are socially awkward: this explains why we talk about the weather, queue...
Read MorePosted by Aleks Sierz | 10th Feb 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MorePosted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by Gonca Yalçın | 2nd Dec 2024 | Edinburgh 2024, Festivals, Review, Turkey, United Kingdom
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
Read MorePosted by Aleks Sierz | 1st Nov 2024 | London, Playwriting, Review, United Kingdom
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
Read MorePosted by Mika Eglinton | 23rd Oct 2024 | Japan, Review, Theatre and Gender, United Kingdom
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
Read MorePosted by Dave Stannard | 22nd Oct 2024 | Essay, Management, United Kingdom
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 