Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
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United Kingdom
Nick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
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Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
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Laura Horton’s Lynn Faces at the New Diorama Theatre: Surreal Gig Theatre Event Explores Coercive Control Through Comedy
British people are socially awkward: this explains why we talk about the weather, queue...
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Eline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
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Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
Is resilience the most powerful character trait? When you think about the suffering of the...
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“Dear Shameless Death – Dirmit” by Tiyatro Hemhâl: A Gift of Resistance
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
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Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
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“Tattooer” At Atelier Shunpusha: “Tattooer” Reworks Tanizaki’s Japanese Tale Of Desire And Power With Subtlety And Verve
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
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Regional Producing Theatres In England. Leeds Playhouse: A Case Study
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
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Robert Icke’s Oedipus at Wyndham’s Theatre: Lots Of Stunning Acting Compensates For Some Questionable Writing
The myth of Oedipus is so central to our psychic world that I was really surprised how many people...
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“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
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Mark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas
Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
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Timberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
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It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
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Tom Stoppard’s The Real Thing at the Old Vic: Spirited and Highly Enjoyable Revival of Semi-Autobiographical Love Drama
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
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“My Mother’s Funeral”
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
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“The Popess” Visits The Edinburgh Fringe Festival
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
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“Malvolio’s Fantasy.” A Glitzy Retelling Of Twelfth Night
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
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