“Rhinoceros”, The Almeida Theatre
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Duška Radosavljević | 14th May 2025 | Review, Theatre and Politics, United Kingdom
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Aleks Sierz | 15th Apr 2025 | LGBTQ+ Theatre, Review, United Kingdom
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
Read MorePosted by Aleks Sierz | 11th Apr 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
Read MorePosted by Aleks Sierz | 28th Mar 2025 | Acting, London, Review, United Kingdom
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
Read MorePosted by Aleks Sierz | 21st Mar 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
Read MorePosted by Aleks Sierz | 5th Mar 2025 | Acting, Playwriting, Review, United Kingdom
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 21st Feb 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
British people are socially awkward: this explains why we talk about the weather, queue...
Read MorePosted by Aleks Sierz | 10th Feb 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MorePosted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by Gonca Yalçın | 2nd Dec 2024 | Edinburgh 2024, Festivals, Review, Turkey, United Kingdom
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
Read MorePosted by Aleks Sierz | 1st Nov 2024 | London, Playwriting, Review, United Kingdom
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
Read MorePosted by Mika Eglinton | 23rd Oct 2024 | Japan, Review, Theatre and Gender, United Kingdom
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
Read MorePosted by Dave Stannard | 22nd Oct 2024 | Essay, Management, United Kingdom
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
Read MorePosted by Aleks Sierz | 20th Oct 2024 | Adaptation, London, Review, United Kingdom
The myth of Oedipus is so central to our psychic world that I was really surprised how many people...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 10th Oct 2024 | Edinburgh 2024, Poland, Review, United Kingdom
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MorePosted by Aleks Sierz | 7th Oct 2024 | Books, Review, Theatre and Politics, United Kingdom
Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
Read MorePosted by Aleks Sierz | 12th Sep 2024 | Review, Theatre and Politics, United Kingdom
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
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