“Where I Call Home”: Translating “Gens du pays”
Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...
Read MorePosted by Charis Ainslie | 14th Nov 2021 | Essay, London, Translation, United Kingdom
Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...
Read MorePosted by Mert Dilek | 28th Oct 2021 | Adaptation, London, Review, United Kingdom
What does it take to stretch Shakespeare’s shortest tragedy to a runtime of over three hours? Not,...
Read MorePosted by Aleks Sierz | 25th Oct 2021 | London, Playwriting, Review, Theatre and Religion, United Kingdom
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
Read MorePosted by Aleks Sierz | 10th Oct 2021 | Adaptation, London, Playwriting, Review, United Kingdom
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
Read MorePosted by Aleks Sierz | 17th Sep 2021 | London, Review, United Kingdom
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing,...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MorePosted by Alexander Fatouros | 24th Aug 2021 | London, News, Theatre for Young Audiences, United Kingdom
Lionizing the vitalness of theatre and creativity, a star-studded virtual reading of a new...
Read MorePosted by Aleks Sierz | 18th Aug 2021 | London, Review, Theatre and Gender, United Kingdom
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
Read MorePosted by Duška Radosavljević | 5th Aug 2021 | London, Musical Theatre, Review, United Kingdom
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
Read MorePosted by Aleks Sierz | 1st Jul 2021 | London, Review, United Kingdom
There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of...
Read MorePosted by Aleks Sierz | 30th Jun 2021 | London, Review, Theatre and Dance, United Kingdom
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
Read MorePosted by Aleks Sierz | 1st Jun 2021 | London, Review, United Kingdom
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. In March...
Read MorePosted by Aleks Sierz | 18th May 2021 | London, Review, Theatre and Gender, United Kingdom
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
Read MorePosted by Aleks Sierz | 12th May 2021 | London, Review, Transmedia, United Kingdom
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
Read MorePosted by Alexander Fatouros | 3rd Apr 2021 | London, Management, News, Producing, United Kingdom
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
Read MorePosted by Aleks Sierz | 31st Dec 2020 | London, Playwriting, Review, United States of America
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
Read MorePosted by Aleks Sierz | 28th Dec 2020 | London, Review, United Kingdom
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
Read MorePosted by Aleks Sierz | 18th Dec 2020 | London, Review, United Kingdom
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
Read MorePosted by Emmalynn Mallay | 6th Dec 2020 | London, Review, United Kingdom
Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026