“RashDash: Look at Me, Don’t Look at Me,” Paines Plough Roundabout
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MorePosted by Alexander Fatouros | 24th Aug 2021 | London, News, Theatre for Young Audiences, United Kingdom
Lionizing the vitalness of theatre and creativity, a star-studded virtual reading of a new...
Read MorePosted by Aleks Sierz | 18th Aug 2021 | London, Review, Theatre and Gender, United Kingdom
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
Read MorePosted by Duška Radosavljević | 5th Aug 2021 | London, Musical Theatre, Review, United Kingdom
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
Read MorePosted by Aleks Sierz | 1st Jul 2021 | London, Review, United Kingdom
There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of...
Read MorePosted by Aleks Sierz | 30th Jun 2021 | London, Review, Theatre and Dance, United Kingdom
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
Read MorePosted by Aleks Sierz | 1st Jun 2021 | London, Review, United Kingdom
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. In March...
Read MorePosted by Aleks Sierz | 18th May 2021 | London, Review, Theatre and Gender, United Kingdom
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
Read MorePosted by Aleks Sierz | 12th May 2021 | London, Review, Transmedia, United Kingdom
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
Read MorePosted by Alexander Fatouros | 3rd Apr 2021 | London, Management, News, Producing, United Kingdom
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
Read MorePosted by Aleks Sierz | 31st Dec 2020 | London, Playwriting, Review, United States of America
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
Read MorePosted by Aleks Sierz | 28th Dec 2020 | London, Review, United Kingdom
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
Read MorePosted by Aleks Sierz | 18th Dec 2020 | London, Review, United Kingdom
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
Read MorePosted by Emmalynn Mallay | 6th Dec 2020 | London, Review, United Kingdom
Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...
Read MorePosted by Aleks Sierz | 21st Nov 2020 | London, Review, United Kingdom
Playwright Philip Ridley has had a very productive lockdown. Despite the constraints of the...
Read MorePosted by Aleks Sierz | 11th Oct 2020 | London, Review, Theatre and Politics, United Kingdom
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
Read MorePosted by Aleks Sierz | 5th Oct 2020 | London, Review, Theatre and Art, United Kingdom
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
Read MorePosted by Aleks Sierz | 5th Aug 2020 | Devised Theatre, Immersive Theatre, London, Review, United Kingdom
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
Read MoreThe executive director of Manchester’s Royal Exchange Theatre, Steve Freeman, could have been...
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