“Company” Review, Gielgud Theatre: “You Can’t Imagine It Being Staged Any Other Way Again”
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
Read More
London
Nina Raine’s “Stories” at The National Theatre
In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...
Read More
Theatre Review: Xameleon Theatre’s “The Little Prince”–”A Play For Young And Old”
First published in 1943 in New York, the story of the little prince and his travels hasn’t lost...
Read More
debbie tucker green’s “ear for eye” At The Royal Court
Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast....
Read More
The Futility Of Mediated Communication: “Together” At Camden Underground
Exploring the common phenomenon of livestream communication in modern society, the performance...
Read More
An Intricate Rumination On The Partnership Between Music And Dance
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
Read More
Martin Crimp’s “Dealing With Clair” At The Orange Tree Theatre
On the morning when this stylish revival of Martin Crimp’s 1988 play opens, I wake up to the news...
Read More
“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
Read More
Bryony Kimmings’ “I Am A Phoenix, Bitch”
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read More
David Edgar’s “Trying It On” At The Royal Court
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
Read More
“Frankenstein: How To Make A Monster” at Battersea Arts Centre
Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...
Read More
Martin McDonagh’s “A Very Very Very Dark Matter” At The Bridge Theatre
It’s all in the title, isn’t it? Martin McDonagh’s surreal new play comes with a warning that not...
Read More
Joy Wilkinson’s “The Sweet Science Of Bruising” at The Southwark Playhouse
There are not that many plays about sport, but, whether you gamble on results or not, you can bet...
Read More
Footwork Against Corruption: Via Katlehong And Gregory Maqoma’s “Via Kanana,” Dance Umbrella Festival, London
The platform stage erected in Shoreditch Town Hall’s grand Victorian assembly room is receiving a...
Read More
“Pack Of Lies” at Menier Chocolate Factory
We do love our spy stories, don’t we? The idea of betrayal, both political and personal, seems to...
Read More
Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios
If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...
Read More
Robert Alan Evans’s “The Woods” at The Royal Court
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
Read More
A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London
As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...
Read More
Vinay Patel’s “An Adventure”: An Epic Reading of One Asian Family’s Global Migration Story
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
Read More
“A Kettle Of Fish” at The Yard Theatre
Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...
Read MoreLike Us On Facebook
Most Popular Posts
- “The Phantom Of The Opera” Returns To Mexico: A… 12th December 2025
- In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
- Olga Braga’s “Donbas” at Theatre 503: Complex… 20th February 2026
- Frantic Assembly’s “Lost Atoms” at the… 9th February 2026
