A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett)
Wherever it comes from, morality or the aesthetic, the anti-theatrical prejudice is a conceptual...
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Transmedia
Willem Dafoe, Artistic Director Of The 2025 Theatre Biennale – 31 May To 15 June. The Opening Show: “Symphony Of Rats”
Celebrated American actor Willem Dafoe, the new artistic director of the Venice Theatre Biennale,...
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Beyond the Canvas: The Art of Candida Alvarez
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
Read More![“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/FIGURE4-627x376.jpg.webp)
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
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Samuel Beckett’s “Krapp’s Last Tape” In The Digital World Of Zoom Theatre
On screen an image of worlds within worlds opens this Zoom version of Samuel Beckett’s stage play...
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52nd Venice Theatre Biennale (15-30 June). Gob Squad’s “Elephants In Rooms” And “Creation (Pictures For Dorian)”
This year’s Theatre Biennale (15 to 30 June), entitled, Niger and Albus (Black and White), sees...
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“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
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“Pericles” – An Odyssey from Timișoara
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
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“Youth Without God;” Unkind, Realistic Reminder
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
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Death Is Funny, Death is Lame, Death is Sudden, Death Can Happen to “Anybody”
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
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Marfa’s Mysterious Lights Come to Hong Kong
AUTHOR: Christie Lee Wong Kit-yi has always been fascinated with myths. Her previous works have...
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“This Is Our Home” – Online Theatre Three Years Later
The performance follows four women in different parts of Ukraine, at various distances from the...
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In Poor Voice
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
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AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
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“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
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“Look What You Made Me Do”: Marketing “POTUS” on Social Media
How do you market theatre on social media? What strategies can a social media manager use to...
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“Stumped.” Live Theatre In The Age Of Hybrid Realities.
Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...
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UNBOX ME! Live Theatre and the Virtual World.
UNBOX ME! Written by Simon Jones. Directed by Simon Jones. Dramaturgy by Sara Giddens. Bodies in...
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Digital Theatre Across Europe: Interview With Dr Katie Hawthorne
European Theatre Convention published a new study, Digital Theatre – Strategies and Business...
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