Embrace All of Me: Jocelyn Kuritsky’s “A Simple Herstory”
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Elizabeth Steinway | 7th Apr 2022 | Education, Essay, Theatre and Gender
Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...
Read MorePosted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
Read MorePosted by Aleks Sierz | 30th Mar 2022 | London, Review, Theatre and Gender, United Kingdom
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
Read MorePosted by Beverley Brommert | 17th Mar 2022 | Review, South Africa, Theatre and Gender
SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute...
Read MorePosted by Sindhu Nagaraj | 10th Mar 2022 | India, Review, Theatre and Gender, Theatre and Science
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
Read MorePosted by Natasha Tripney | 22nd Feb 2022 | Bosnia, Festivals, Review, Theatre and Gender
Across the western Balkans women are raising their voices against violence following a series of...
Read MorePosted by Emily Cordes | 10th Feb 2022 | Design, New York, Review, Theatre and Gender, United States of America
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
Read MorePosted by Donald Brown | 8th Feb 2022 | Review, Theatre and Gender, United States of America
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
Read MorePosted by Aleks Sierz | 1st Feb 2022 | London, Review, Theatre and Gender, United Kingdom
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
Read MorePosted by Aleks Sierz | 16th Jan 2022 | London, Review, Theatre and Gender, United Kingdom
It’s a sign of the times that one of my last trips of the year, to Ella Road’s Fair Play at the...
Read MorePosted by Athira M | 11th Jan 2022 | Applied Theatre, India, News, Theatre and Gender
The drama series is an initiative for She Radio on Radio Malayalam Mission, Government of Kerala...
Read MorePosted by Narelle Yeo | 10th Jan 2022 | Essay, Musical Theatre, Theatre and Gender, United States of America
The most eclectic of music theatre composers was not only a gifted wordsmith and lyricist, but...
Read MorePosted by Natalie Hanna | 7th Jan 2022 | Adaptation, Review, Theatre and Gender, United Kingdom
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
Read MorePosted by Hou Xueqi | 5th Jan 2022 | China, Interview, Theatre and Gender
All the rage in Beijing’s stand-up circuit, Pazilye Parhat says much of comedy stems from...
Read MorePosted by Sindhu Nagaraj | 2nd Jan 2022 | India, Playwriting, Review, Theatre and Gender
The classic play ‘Dance Like a Man’ captures the subtle undertones found in familial...
Read MorePosted by Aleks Sierz | 31st Dec 2021 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A couple of days ago, I watched a live stream of Milk and Gall, an American-based playwright and...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Jonathan Kalb | 23rd Dec 2021 | Adaptation, New York, Review, Theatre and Gender, United States of America
As most people reading this will already know, Company was first reworked for a female Bobbie...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025