Sarah Kane’s Controversial 1990s Play “Blasted” Feels Prescient In The #MeToo Era
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
Read MorePosted by Jana Perkovic | 23rd Sep 2018 | Playwriting, Review, Theatre and Gender
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
Read MorePosted by KaiChieh Tu | 22nd Sep 2018 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.
Read MorePosted by Andrea Pelegri Kristić | 15th Sep 2018 | Essay, France, Theatre and Gender
In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...
Read MorePosted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, Review, Theatre and Gender
The world of political machinations took a precarious turn of events at the opening night...
Read MorePosted by Rie Hammer | 3rd Sep 2018 | Directing, Greece, Interview, Theatre and Gender, Theatre and Opera
The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...
Read MorePosted by Emily Jupp | 27th Aug 2018 | Festivals, Playwriting, Review, Theatre and Gender, United Kingdom
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
Read MorePosted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
Read MorePosted by Aleks Sierz | 18th Aug 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Nostalgia used to be a disease, but now it’s a lifestyle choice. Look around you: British reality...
Read MorePosted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
Read MorePosted by Jacqui Somerville | 15th Aug 2018 | Australia, Review, Theatre and Gender
The three-women chorus in this energizing, thought-provoking and very well written and acted piece...
Read MorePosted by Handan Salta | 12th Aug 2018 | Review, Theatre and Gender, Turkey
Women stories of all kinds are being told everywhere and Istanbul has her own share. Since most...
Read MorePosted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Read MorePosted by Andrew Westle and Jordan Beth Vincent | 27th Jul 2018 | Australia, Essay, Theatre and Dance, Theatre and Gender
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
Read MorePosted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender
To see actors who have received proper professional training in the use of two core...
Read MorePosted by Kate Croome | 23rd Jul 2018 | Canada, Festivals, Review, Theatre and Gender, Theatre and Science
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
Read MorePosted by William Charlton-Perkins | 21st Jul 2018 | Festivals, News, South Africa, Theatre and Gender
The Playhouse Company, an Agency of the Department of Arts and Culture, presents its annual South...
Read MorePosted by Liza George | 16th Jul 2018 | India, News, Theatre and Gender
The curtains lift to a clinical laboratory. Jessy, a nurse at the laboratory, is struggling...
Read MorePosted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
Read MorePosted by Aleks Sierz | 12th Jul 2018 | London, Review, Theatre and Gender, United Kingdom
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
Read MorePosted by Ryan Pepper | 3rd Jul 2018 | Canada, Festivals, Review, Theatre and Gender
An emotional storytelling solo show, This Is Step One tells a highly personal story of sexual...
Read More



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026