Sarah Kane’s Controversial 1990s Play “Blasted” Feels Prescient In The #MeToo Era
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
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Theatre and Gender
Rob Roth’s “Soundstage” Fires Up Acoustic Imaginaries
oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.
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“Women Get F*ed”: The Place Of Women In French Theatre
In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...
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Review: “Julius Caesar” At The Stratford Festival
The world of political machinations took a precarious turn of events at the opening night...
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Interview With Opera Director Rodula Gaitanou: “The Culinary Traditions Give Me A Great Insight Into A Nation’s Taste For Hospitality”
The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...
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“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
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Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
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Laura Wade’s “Home, I’m Darling” At The National Theatre
Nostalgia used to be a disease, but now it’s a lifestyle choice. Look around you: British reality...
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How Norwegians Do It (Play Ibsen, That Is)
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
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“Lysa And The Freeborn Dames” Pays Tribute To Feminist Protests
The three-women chorus in this energizing, thought-provoking and very well written and acted piece...
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Women Stories From Turkey
Women stories of all kinds are being told everywhere and Istanbul has her own share. Since most...
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Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
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Problems With Gender Equality In Australia’s Dance Industry
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
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“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
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“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
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South African Women’s Arts Festival – 22 Years On
The Playhouse Company, an Agency of the Department of Arts and Culture, presents its annual South...
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Nireeksha Women’s Theatre’s New Play Explores How Women Battle Fundamentalism and Violence
The curtains lift to a clinical laboratory. Jessy, a nurse at the laboratory, is struggling...
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Vicky Jones On Life After “Fleabag” And “The One”: “It’s Based On Something That Happened To Me”
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
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“Genesis Inc” at The Hampstead Theatre
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
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“This Is Step One” Is A Personal Plat For The #MeToo Era
An emotional storytelling solo show, This Is Step One tells a highly personal story of sexual...
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