Theatre and Gender Archives - Page 13 of 20

Review: “Julius Caesar” At The Stratford Festival

Posted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, Review, Theatre and Gender

The world of political machinations took a precarious turn of events at the opening night...

Interview With Opera Director Rodula Gaitanou: “The Culinary Traditions Give Me A Great Insight Into A Nation’s Taste For Hospitality”

Posted by Rie Hammer | 3rd Sep 2018 | Directing, Greece, Interview, Theatre and Gender, Theatre and Opera

The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...

“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement

Posted by Emily Jupp | 27th Aug 2018 | Festivals, Playwriting, Review, Theatre and Gender, United Kingdom

Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Posted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom

As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...

Laura Wade’s “Home, I’m Darling” At The National Theatre

Posted by Aleks Sierz | 18th Aug 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom

Nostalgia used to be a disease, but now it’s a lifestyle choice. Look around you: British reality...

How Norwegians Do It (Play Ibsen, That Is)

Posted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender

The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...

“Lysa And The Freeborn Dames” Pays Tribute To Feminist Protests

Posted by Jacqui Somerville | 15th Aug 2018 | Australia, Review, Theatre and Gender

The three-women chorus in this energizing, thought-provoking and very well written and acted piece...

Women Stories From Turkey

Posted by Handan Salta | 12th Aug 2018 | Review, Theatre and Gender, Turkey

Women stories of all kinds are being told everywhere and Istanbul has her own share. Since most...

Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer

Posted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom

“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....

Problems With Gender Equality In Australia’s Dance Industry

Posted by Andrew Westle and Jordan Beth Vincent | 27th Jul 2018 | Australia, Essay, Theatre and Dance, Theatre and Gender

The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...

“Orlando” At Soulpepper Theatre

Posted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender

To see actors who have received proper professional training in the use of two core...

“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons

Posted by Kate Croome | 23rd Jul 2018 | Canada, Festivals, Review, Theatre and Gender, Theatre and Science

Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...

South African Women’s Arts Festival – 22 Years On

Posted by William Charlton-Perkins | 21st Jul 2018 | Festivals, News, South Africa, Theatre and Gender

The Playhouse Company, an Agency of the Department of Arts and Culture, presents its annual South...

Nireeksha Women’s Theatre’s New Play Explores How Women Battle Fundamentalism and Violence

Posted by Liza George | 16th Jul 2018 | India, News, Theatre and Gender

The curtains lift to a clinical laboratory. Jessy, a nurse at the laboratory, is struggling...

Vicky Jones On Life After “Fleabag” And “The One”: “It’s Based On Something That Happened To Me”

Posted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom

Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...

“Genesis Inc” at The Hampstead Theatre

Posted by Aleks Sierz | 12th Jul 2018 | London, Review, Theatre and Gender, United Kingdom

We are now pretty familiar with the idea that human reproduction (making babies) has been turned...

“This Is Step One” Is A Personal Plat For The #MeToo Era

Posted by Ryan Pepper | 3rd Jul 2018 | Canada, Festivals, Review, Theatre and Gender

An emotional storytelling solo show, This Is Step One tells a highly personal story of sexual...

Critics Have A Duty To Look Beyond Appearance And Judge Performance. Otherwise They’re Just Creepy.

Posted by Alice Jones | 3rd Jul 2018 | Essay, London, Theatre and Gender, United Kingdom

I went to see Flight Of The Conchords this week. The New Zealand musical comedy duo flaunted their...

Curating LookOUT, The First Chinese Arts Festival On Gender: An Interview With Fabrizio Massini

Posted by Shiya Lu | 30th Jun 2018 | China, Festivals, Interview, LGBTQ+ Theatre, Theatre and Gender

The LookOUT Arts Festival, presented by Ibsen International, takes place in Beijing from July...

“Anjou”: Lady Chamberlain

Posted by Laurie Fyffe | 25th Jun 2018 | Canada, Festivals, Review, Theatre and Gender

Re-visiting Shakespeare is a perennial theatrical exercise, and Richard the Third’s malevolent...

Theatre and Gender

Review: “Julius Caesar” At The Stratford Festival

Interview With Opera Director Rodula Gaitanou: “The Culinary Traditions Give Me A Great Insight Into A Nation’s Taste For Hospitality”

“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Laura Wade’s “Home, I’m Darling” At The National Theatre

How Norwegians Do It (Play Ibsen, That Is)

“Lysa And The Freeborn Dames” Pays Tribute To Feminist Protests

Women Stories From Turkey

Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer

Problems With Gender Equality In Australia’s Dance Industry

“Orlando” At Soulpepper Theatre

“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons

South African Women’s Arts Festival – 22 Years On

Nireeksha Women’s Theatre’s New Play Explores How Women Battle Fundamentalism and Violence

“Genesis Inc” at The Hampstead Theatre

“This Is Step One” Is A Personal Plat For The #MeToo Era

Critics Have A Duty To Look Beyond Appearance And Judge Performance. Otherwise They’re Just Creepy.

Curating LookOUT, The First Chinese Arts Festival On Gender: An Interview With Fabrizio Massini

“Anjou”: Lady Chamberlain

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