Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.
This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...
Read MorePosted by Allison Berkoy | 29th Aug 2021 | Estonia, Interview, Theatre and AI, Theatre and Opera, Theatre and Science
This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...
Read MorePosted by Allison Berkoy | 24th Aug 2021 | Estonia, Interview, Theatre and AI, Theatre and Opera, Theatre and Science
Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...
Read MorePosted by Kathryn Mederos Syssoyeva and Diana Zhdanova | 2nd Aug 2021 | Between.Pomiędzy 2021, Essay, Festivals, Poland, Theatre and AI, Transmedia
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
Read MorePosted by Alexander Fatouros | 20th May 2021 | Interview, New York, Theatre and AI, Theatre and Art, Transmedia, United States of America
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
Read MorePosted by Jingyi Zhang | 16th May 2021 | Hong Kong, Review, Theatre and AI, Theatre and Opera, Transmedia
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
Read MorePosted by Michael Szollosy | 2nd Mar 2021 | Czech Republic, News, Theatre and AI, Theatre and Science
This is a story you will have heard before. A genius but completely mad scientist – with the...
Read MorePosted by Kai Tuchmann | 8th Oct 2019 | Dramaturgy, Essay, Theatre and AI, Transmedia
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
Read MorePosted by Ágnes Bakk | 15th Jul 2019 | Hungary, Interview, Theatre and AI, Transmedia
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
Read MorePosted by Eleonore von Bothmer | 24th Mar 2019 | News, Singapore, Theatre and AI, Theatre and Science, Transmedia
Media artist Choy Ka Fai experimentally explores movement, art, and technology with some science...
Read MorePosted by Zainabu Jallo | 8th Feb 2019 | Review, Switzerland, Theatre and AI, Theatre and Science, Transmedia
A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...
Read MorePosted by Irina Yakubovskaya | 15th Dec 2018 | Interview, New York, Theatre and AI, Theatre and Opera, Transmedia, United States of America
Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...
Read MorePosted by Edmond Couchot | 1st Aug 2018 | Essay, Participatory Theatre, Theatre and AI, Transmedia
Artists in the performing and theatrical arts currently have access to technology of an...
Read MorePosted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Theatre and AI, Transmedia
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Read MorePosted by Directed by Annie Dorsen, Steirischer Herbst (Graz), Hebbel am Ufer (Berlin), BIT Teatergarasjen (Bergen), Black Box Teater (Oslo), PS122 COIL Festival (NYC) (2010), USA | 20th May 2000 | IOTF 2020: Extended, Theatre and AI
“Hello Hi There” uses the famous 1970s television debate between the philosopher Michel Foucault and linguist/activist Noam Chomsky as inspiration and material for a dialogue between two custom-designed chatbots: every evening, these computer programs, designed to mimic human conversations, perform a new – as it were, improvised – live text. Annie Dorsen’s remarkable piece asks profound questions about what constitutes performance. Human interaction is given a new dimension in “Hello Hi There” as Dorsen thrillingly explores Foucault comment that debating with Chomsky was “like talking to someone from a different species.” ONE DAY ONLY! MAY 20!
Read More