Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
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Dealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil
Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...
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Design Writing: Five Views of Sarah Ruhl’s “Eurydice”
Introduction by Michael Schweikardt Student designers at San Francisco State University’s School...
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“El Lector Por Horas/Reader By The Hours.” A Successful Spanish Play That Also Deserves To Be A Global Hit
Sanchis Sinisterra is a Spanish playwright with a long career and many successes who is in the...
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Actor on the Verge of a Nervous Breakdown: “El Brote” (The Break) at Santiago a Mil
El Brote (The Break) is the tale of an actor who doesn’t feel he’s had the career breaks his...
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NYC Artists Stand in Solidarity with The Freedom Theatre
On January 13th, hundreds of artists and cultural workers marched through New York City’s theater...
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Performance and Politics: “Parlamento” (Parliament) Storms Santiago a Mil
Piel de Lava have been making work for 20 years and it shows. Elisa Carricajo, Valeria Correa,...
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Making a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil
Think of a film set where the audience gathered on the streets are not fully aware that they are...
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Depression and discontents: Daniel Veronese’s staging of “La persona deprimida” (The Depressed Person) at Santiago a Mil
I read David Foster Wallace’s short story The Depressed Person soon after it was published in...
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From 1984 to 2024: Teatro Ictus’s “Primavera Con Una Esquina Rota” (Springtime In a Broken Mirror) at Santiago a Mil
Primavera con una esquina rota (Springtime in a broken mirror) has acquired a legendary status....
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“María Isabel” at Santiago a Mil: Staging Political Agency
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
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Marilyn Monroe – The Family Babysitter: Luke Yankee and the Creation of “Marilyn, Mom & Me”
This February, International City Theatre will present the world premiere of a new play, Marilyn,...
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More Sickly Mansions
There are lots of reasons Americans have always loved family-dustup plays and exalted them with...
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Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
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Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
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“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
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Kampala’s Tale of Two Theatre Festivals
If there is one thing many theatre practitioners around the world seem to agree on, it is that the...
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“The Maids” by Genet: The Logic of the Paradox
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
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Jack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
Read More“Faded:” Beyond the Dance
Nabaggala Lillian Maximilian has outdone herself by covering a lot of ground recently. A few months ago, she premiered a dance theatre production, Nambi, and exhibited a short film, Faded in Berlin. And barely a month after the...
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