Latest Archives - Page 11 of 283

“Liberation.” Roundabout Theatre. Look Back to Know Where You Are

Posted by Cristina Modreanu | 7th Apr 2025 | Review, Theatre and Gender, United States of America

Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...

Self-Ish Dramaturgy: Personal Practice At The Kennedy Center College Theatre Festival

Posted by Aysha Zackria | 6th Apr 2025 | Dramaturgy, Essay, Festivals

I’m Aysha Zackria. I’m a 23 year old Queer Pakistani-American woman living in D.C. Through my...

Violence Is Not Fate. Change Is Possible

Posted by Berna Ataoğlu | 3rd Apr 2025 | Playwriting, Theatre and Gender, Turkey

Turkish writer, theatre critic, and academic Zehra İpşiroğlu’s book Woman Plays features...

The Beauty of Cultural Specificity in “Bubble Schmeisis”

Posted by Morgan Skolnik | 2nd Apr 2025 | New York, Review, Theatre and Religion

The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...

I Am Not Afraid For The Future Of The Theatre

Posted by Ivanka Apostolova Baskar | 2nd Apr 2025 | Croatia, Interview, Transcultural Collaborations, Translation

An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...

Underneath the Grass Roots

Posted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art

Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...

Chris Fung’s “The Society for New Cuisine” at Omnibus Theatre: Exceptionally Powerful Monologue About Grief And Mental Torment

Posted by Aleks Sierz | 28th Mar 2025 | Acting, London, Review, United Kingdom

Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...

The Rebellious Power of “Liberation” at Roundabout Theatre Company

Posted by Morgan Skolnik | 27th Mar 2025 | New York, Review, Theatre and Gender

Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...

Theatre “Haunts” People

Posted by Ivanka Apostolova Baskar | 26th Mar 2025 | Festivals, Interview, Playwriting, Romania

An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...

Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles

Posted by Aleks Sierz | 21st Mar 2025 | London, Playwriting, Review, United Kingdom

One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...

Getting To an Emotional Truth With Padraic Lillis

Posted by Marcina Zaccaria | 19th Mar 2025 | Dramaturgy, Interview, Producing, United States of America

Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.