Samuel Beckett’s “Krapp’s Last Tape” In The Digital World Of Zoom Theatre
On screen an image of worlds within worlds opens this Zoom version of Samuel Beckett’s stage play...
Read MorePosted by Annette Balaam | 23rd Aug 2024 | Review, Transmedia, United Kingdom
On screen an image of worlds within worlds opens this Zoom version of Samuel Beckett’s stage play...
Read MorePosted by Margaret Rose | 19th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom, United States of America
The title of the play, The Amazing Doctor She Medicine Show, leaves one wondering who on earth was...
Read MorePosted by Margaret Rose | 18th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On this year’s Edinburgh Fringe a raft of reimaginings of Shakespeare’s plays, by emerging and...
Read MorePosted by Duncan Wheeler | 16th Aug 2024 | Review, Spain, Theatre and Politics
Twenty-first-century theatre practitioners in the west typically fear irrelevance more than...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Italy, Review, United Kingdom
The five-hundred-year history of Italy’s Commedia dell’Arte is neatly packed into Masquerade, a...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Spoken word poetry has a huge following in the UK, and Luke Wright is one of the most talented...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On the Edinburgh Fringe the number of plays investigating climate change is growing each year, and...
Read MorePosted by Margaret Rose | 15th Aug 2024 | Edinburgh 2024, Festivals, Ireland, Review, Theatre and Science, United Kingdom
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
Read MorePosted by Maria Delgado | 15th Aug 2024 | Festivals, Finland, Review, Tampere Theatre Festival 2024
Tampere is Finland’s third largest city— parallels are often drawn with Manchester, in part...
Read MorePosted by Maria Delgado | 15th Aug 2024 | Festivals, Finland, Portugal, Review, Tampere Theatre Festival 2024
In my humble view, Tiago Rodrigues is one of the most important theatre makers at work today. His...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Netherlands, Review, United Kingdom
Director of the Edinburgh International Festival (EIF), Nicola Benedetti, chose ‘Rituals that...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
Read MorePosted by Emilija Kvočka | 14th Aug 2024 | Acting, Festivals, Montenegro, Review
The Rubix festival, held for the second time in Porto Montenegro, in Tivat, represents an...
Read MorePosted by Margaret Rose | 13th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Amy Liptrot’s bestselling memoir, The Outrun (2016) has recently been genre hopping. In January...
Read MorePosted by Andrew Agress | 7th Aug 2024 | Immersive Theatre, New York, Review, United States of America
At long last, the immersive titan Sleep No More, will—well—sleep no more. The long-running New...
Read MorePosted by Margaret Rose | 28th Jul 2024 | Festivals, Italy, Review, Transmedia
This year’s Theatre Biennale (15 to 30 June), entitled, Niger and Albus (Black and White), sees...
Read MorePosted by Övgü Ülgen | 26th Jul 2024 | Canada, Review, Theatre and Politics
It is May 4, 2024, in Montreal, and I walk on Rue Bélanger as the night is approaching on this...
Read MorePosted by Kate Hunter | 24th Jul 2024 | Adaptation, Australia, Review
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
Read MorePosted by Azadeh Kangarani | 24th Jul 2024 | Review, Transcultural Collaborations, United States of America
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
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