“ANGELA (a Strange Loop)”: The Wild and Wonderful World of Susanne Kennedy
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
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Review
Find Your Voice, Loud and Clear: Musical “Il Tenore” Review
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
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“London Zoo,” Southwark Playhouse
Before the internet, newspapers were central to the national conversation in Britain. By the first...
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“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
There are some myths about the opera that are not true. Firstly, that young people do not like...
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Tim Price’s “Nye” at the National Theatre: A Fun Life of the Creator of the National Health Service
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
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“This Is Our Home” – Online Theatre Three Years Later
The performance follows four women in different parts of Ukraine, at various distances from the...
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Lucy Kirkwood’s “The Human Body” at the Donmar Warehouse: Twin Tales of Illicit Love and the Founding of the National Health Service
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
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Marius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
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In Poor Voice
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
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Ascanio Celestini’s “Rumba. The Donkey and the Ox”
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
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Theater, Addiction, and Responsibility
I almost didn’t go see Days of Wine and Roses: The Musical because my memories of the highly...
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Peter Sellars’ “Beatrice di Tenda”: Freedom, Defiance, and Tyranny
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
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Henrik Ibsen’s An Enemy of the People at the Duke of York’s Theatre: Thomas Ostermeier’s West End Debut Has Starry Cast And Punk Aesthetics
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
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Oscar Wilde’s “The Picture of Dorian Gray” at the Theatre Royal Haymarket
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read More“Golden Calabash:” A Peep at Modern Politics
John Ssegawa’s Golden Calabash, Ekimala Ebita Embuga opened at the National Theatre in Kampala running during the Christmas season from 23rd to 26th December 2023. The theatre spent 2023 trying to find solutions to its...
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Alberto Conejero’s “En Mitad de Tanto Fuego” (In the Midst of So Much Fire): Addressing the Gaps from the Margins
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
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Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
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Young Choreographers at Teatro dell’Opera di Roma
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
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What Can I Say?
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
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Jez Butterworth’s “The Hills of California” at the Harold Pinter Theatre: Warm Evocation of 1950s Pop Culture Is Fun, But Lacks Dramatic Resolution
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
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