World Premiere: Ousmane Aledji’s “Traumatism”
On October 27, 28 & 29, 2010 at 8pm AfricAvenir presented the world premiere of the theatre...
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Xenakis The Punk: Talk With Michał Zadara
I didn’t really know Xenakis before, but it turned out that he touches the precise parts of my...
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War Children: The Heart Of Darkness
Jan Kott wrote that in Shakespeare’s Macbeth, history is shown as a nightmare, something that...
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Stage Trust: Talk With Renate Jett
I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...
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Theatre Matter: Magda Fertacz
Theatre is this section’s subject matter. For we love the stage and its (r)evolution. In this...
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Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
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Krystian Lupa Closely Examined: “Endgame”
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
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Grzegorzewski’s Instrumentarium
Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...
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All Kinds Of Luxuries: Talk With Polish Director Jan Klata
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
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Boguslaw Schaeffer: Celebrating Poland’s Multimedia Playwright
I highly respect and admire Schaeffer’s escalation of innovations but it creates the effect...
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