Interview With Mohammad Yaghoubi, Acclaimed Iranian Playwright and Director
Acclaimed Iranian playwright Mohammad Yaghoubi was in Toronto directing the Canadian premiere of...
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Interview
Chinese Theatre-Maker Lu Ang on Bridging Past and Present, East and West
Lu Ang is a theatre director, playwright, professor and the dean of the directing department at...
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Lebanese Director Lina Abyad on “But I Love You”
Directed by Lina Abyad, the play titled But I Love You was staged within the ongoing Cairo...
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Munby’s “Crucible” Speaks To Societies Built On Fear
“When the opportunity came to work at Theatre Cocoon in Tokyo, I was so excited about the great...
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Sander Veenhof: Staging Audience Against Isolation
Sander Veenhof is a hands-on futurist, creating interactive experiences to explore scenario’s for...
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Kabuki’s Bando Tamasaburo V Takes Kodo Drum Troupe In An Artistic New Direction With “Spiral”
To celebrate its 35th anniversary, the internationally renowned Kodo drumming troupe staged three...
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Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”
The Brighton-based Blast Theory is one of the world leading interactive performance companies that...
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Interview with Thomas Ostermeier: “Every Generation Writes its Own Shakespeare”
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
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Talking Dramaturgy with Gareth Vile: Uncertainty, Confusion, Parody
Interview with Gareth Vile, Theatre Editor for the List, former Theatre Editor for the Skinny and...
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Mark Bly in conversation with Katalin Trencsényi: “Questioning Spirit”—Dramaturgy in America
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the Playwriting...
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Interview with Bear Bellinger
Bear Bellinger is a total babe. The Chicago-based actor was recently nominated for a Time Out...
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Dance Icon Saburo Teshigawara’s “Magic Flute” Brings Abstract Notes To Mozart’s Final Gem
Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...
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Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
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Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
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Butoh For Kids Has Fun With “Birthday Suit” Tale
“Gloomy,” “eerie,” “vulgar,” “avant-garde” and “conceptual” are adjectives often used to describe...
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What It’s Like To Be A Puppet Maker
Have you ever watched the original Thunderbirds and tried to count all the strings? Well, puppets...
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Interview with Ricardo Bartis: The Dead and the Actor
Ricardo Bartis (born in Buenos Aires, 1949), one of the major figures of Argentine theatre, took...
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Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
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Dramatist Speaks Up For The Downtrodden And New Thinking In Japan
Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...
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Interview: Michael Boyd On Staging “Eugene Onegin” For Garsington Opera
Sir Michael Boyd was born in Belfast and studied English at Edinburgh University. In 1979 he won a...
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