Spirit Of Ninagawa And Shakespeare Strong In Takahiro Fujita’s Daring Take On “Romeo And Juliet”
Takahiro Fujita was really looking forward to the new year in 2016. He’d already been honored when...
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Interview
Conversation with Rabih Mroué “Images until victory?”
Are digital media able to launch a revolution? A conversation with the Lebanese artist Rabih Mroué...
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“Short-Term” Visitor To Japan Serves Up A Rare Shakespeare Treat After Only 20 Years
When Peter Goessner’s wife got a contract to teach at a university in the city of Kitakyushu,...
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Interview With João Garcia Miguel, Acclaimed Portuguese Director
The interview was conducted in Guimarães, Portugal, on October 8, 2016, after I saw his play Nós...
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Interview With Mohammad Yaghoubi, Acclaimed Iranian Playwright and Director
Acclaimed Iranian playwright Mohammad Yaghoubi was in Toronto directing the Canadian premiere of...
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Chinese Theatre-Maker Lu Ang on Bridging Past and Present, East and West
Lu Ang is a theatre director, playwright, professor and the dean of the directing department at...
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Lebanese Director Lina Abyad on “But I Love You”
Directed by Lina Abyad, the play titled But I Love You was staged within the ongoing Cairo...
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Munby’s “Crucible” Speaks To Societies Built On Fear
“When the opportunity came to work at Theatre Cocoon in Tokyo, I was so excited about the great...
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Sander Veenhof: Staging Audience Against Isolation
Sander Veenhof is a hands-on futurist, creating interactive experiences to explore scenario’s for...
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Kabuki’s Bando Tamasaburo V Takes Kodo Drum Troupe In An Artistic New Direction With “Spiral”
To celebrate its 35th anniversary, the internationally renowned Kodo drumming troupe staged three...
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Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”
The Brighton-based Blast Theory is one of the world leading interactive performance companies that...
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Interview with Thomas Ostermeier: “Every Generation Writes its Own Shakespeare”
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
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Talking Dramaturgy with Gareth Vile: Uncertainty, Confusion, Parody
Interview with Gareth Vile, Theatre Editor for the List, former Theatre Editor for the Skinny and...
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Mark Bly in conversation with Katalin Trencsényi: “Questioning Spirit”—Dramaturgy in America
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the Playwriting...
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Interview with Bear Bellinger
Bear Bellinger is a total babe. The Chicago-based actor was recently nominated for a Time Out...
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Dance Icon Saburo Teshigawara’s “Magic Flute” Brings Abstract Notes To Mozart’s Final Gem
Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...
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Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
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Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
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Butoh For Kids Has Fun With “Birthday Suit” Tale
“Gloomy,” “eerie,” “vulgar,” “avant-garde” and “conceptual” are adjectives often used to describe...
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What It’s Like To Be A Puppet Maker
Have you ever watched the original Thunderbirds and tried to count all the strings? Well, puppets...
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