Decolonising Shakespeare: Setting Othello in Ghana and Pericles in Glasgow
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
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Essay
Dissecting the Camera: Shifting Positions Between Theatre and Science
Defined as “a place to observe” The Theatron (theatre) has been an experimental platform for...
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Four Times Shakespeare Has Inspired Stories About Robots and AI
Science fiction is a genre very much associated with technological marvels, innovations, and...
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Here’s to the Ladies who Lunch: One of Sondheim’s Greatest Achievements was Writing Complex Women
The most eclectic of music theatre composers was not only a gifted wordsmith and lyricist, but...
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How Enid Blyton Created the Template for Children’s Theatre in Britain
Head to London’s West End and you are likely to find all sorts of plays for families, inspired by...
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Hollywood Has Got Method Acting All Wrong, Here’s What the Process is Really About
So-called method acting seems to be having a moment. Benedict Cumberbatch and Kirsten...
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Alaknanda Samarth Pushed the Limits of “Safe” Theatre
A few days ago, I lost one of my dearest theatre friends, my most avid and soul-searching...
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China Asks: How Many Cultural Landmarks Is Too Many?
Chinese cities have established thousands of new museums over the past two decades, but...
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Theatre Audience Etiquette and Norms Have Always Shifted with the Times
Face masks, plexiglass dividers, proof of vaccine and photo ID and strict seating assignments:...
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Outside Theatre: Why It Mustn’t Stop After the Pandemic
Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows...
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Ecologies of Media, Ecologies of Mind: Toward a Dialectics of Embodiment
Despite being heavily indebted to electronic mediation, the dramatic situation created in...
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A Manifesto for the Future Stage: Performance Is a Human Right
The futureStage Manifesto was written by the futreStage Research Group at Harvard metaLAB.* It...
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How China’s Musicals Lost Their Groove
Chinese musical theater has largely abandoned high-concept shows in favor of shallow engagement...
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“Where I Call Home”: Translating “Gens du pays”
Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...
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Making History on the Madrid Stage
As theatres reopened after the summer recess, the plays on offer in the Spanish capital were...
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A New Kind of Stage Photography – Or Should We Call It by Another Name?
When the COVID-19 pandemic reached Brazil, I was in the city of São Paulo, covering an...
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From Pygmies to Puppets: What to Do with Roald Dahl’s Enslaved Oompa-Loompas in Modern Adaptations?
The stage adaptation of Charlie and the Chocolate Factory has opened in Brisbane. Charlie, like...
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How Indonesian Young Creative Workers in Yogyakarta Stay Productive Amid the Pandemic
Danastri Rizqi Nabilah, a filmmaker from Yogyakarta – a city in Indonesia known for its education...
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“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter
The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...
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Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
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