Alaknanda Samarth Pushed the Limits of “Safe” Theatre
A few days ago, I lost one of my dearest theatre friends, my most avid and soul-searching...
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Essay
China Asks: How Many Cultural Landmarks Is Too Many?
Chinese cities have established thousands of new museums over the past two decades, but...
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Theatre Audience Etiquette and Norms Have Always Shifted with the Times
Face masks, plexiglass dividers, proof of vaccine and photo ID and strict seating assignments:...
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Outside Theatre: Why It Mustn’t Stop After the Pandemic
Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows...
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Ecologies of Media, Ecologies of Mind: Toward a Dialectics of Embodiment
Despite being heavily indebted to electronic mediation, the dramatic situation created in...
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A Manifesto for the Future Stage: Performance Is a Human Right
The futureStage Manifesto was written by the futreStage Research Group at Harvard metaLAB.* It...
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How China’s Musicals Lost Their Groove
Chinese musical theater has largely abandoned high-concept shows in favor of shallow engagement...
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“Where I Call Home”: Translating “Gens du pays”
Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...
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Making History on the Madrid Stage
As theatres reopened after the summer recess, the plays on offer in the Spanish capital were...
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A New Kind of Stage Photography – Or Should We Call It by Another Name?
When the COVID-19 pandemic reached Brazil, I was in the city of São Paulo, covering an...
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From Pygmies to Puppets: What to Do with Roald Dahl’s Enslaved Oompa-Loompas in Modern Adaptations?
The stage adaptation of Charlie and the Chocolate Factory has opened in Brisbane. Charlie, like...
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How Indonesian Young Creative Workers in Yogyakarta Stay Productive Amid the Pandemic
Danastri Rizqi Nabilah, a filmmaker from Yogyakarta – a city in Indonesia known for its education...
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“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter
The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...
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Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
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We Used Performing Arts to Map Out Gender Violence in Sierra Leone. What We Found
It’s been more than two years since Sierra Leone declared a state of emergency over sexual and...
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Ola Rotimi: The Enduring Influence of a Nigerian Theatre Giant
Twenty years after his death, the Nigerian dramatist Ola Rotimi is attracting renewed interest....
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Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Transformative Imaginations #1: Breaking Toxic Patterns
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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