“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
Read MoreYana Meerzon is an Associate Professor, Department of Theatre, University of Ottawa. Her research interests are in drama and performance theory, theatre of exile and migration, cultural and interdisciplinary studies. Her book publications include A Path of the Character: Michael Chekhov's Inspired Acting and Theatre Semiotics, (2005); and Performing Exile – Performing Self: Drama, Theatre, Film (Palgrave 2012). She has also co-edited several collections, such as Performance, Exile and ‘America’ (with Dr. Silvija Jestrovic) Palgrave, 2009; Adapting Chekhov: The Text and Its Mutations (with Dr. J. Douglas Clayton) Routledge, 2012; History, Memory, Performance (with Dr. David Dean and Dr. Kathryn Prince) Palgrave 2015; Routledge Companion to Michael Chekhov, (with Dr. Marie-Christine Autant-Mathieu), 2015; and a special issue of Theatre Research in Canada journal on theatre and immigration (Fall 2015). Currently, she is working on a new book project, provisionally entitled On Self and Encounter: Constructing Subjectivity in the Age of Cosmopolitanism.
Posted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
Read MorePosted by Yana Meerzon | 21st Dec 2017 | Italy, News
The XIV Europe Prize Theatrical Realities went to Susanne Kennedy, Jernej Lorenci, Yael Ronen,...
Read MorePosted by Yana Meerzon | 29th Jul 2017 | France, Theatre and Dance
Face à la mer, pour que les larmes deviennent des éclats de rire. Concept, dramaturgy,...
Read MorePosted by Yana Meerzon | 26th Jul 2017 | Belgium, Festivals, Theatre and Dance
Kalkuta Republik Choreography Serge Aimé Coulibaly; music Yvan Talbot; inspired by the political...
Read MorePosted by Yana Meerzon | 26th Jul 2017 | Festivals, Netherlands
Grensgeval (Borderline). Based on Les Suppliants by Elfriede Jelinek. Directed by Guy Cassiers,...
Read MorePosted by Yana Meerzon | 25th Jul 2017 | Festivals, Netherlands
Ibsen Huis (La Maison d’Ibsen) Directed by Simon Stone, dramaturgy and translation by Peter van...
Read MorePosted by Yana Meerzon | 24th Jul 2017 | Festivals, France, Germany
Based on 136 play The Cabal of Hypocrites by Mikhail Bulgakov, with additional texts by Pierre...
Read MorePosted by Yana Meerzon | 24th Jul 2017 | Festivals, France, Theatre and Politics
Memories of Sarajevo and Dans les ruines d’Athènes are the two concluding parts of the tetralogy...
Read MorePosted by Yana Meerzon | 23rd Jul 2017 | Festivals, France, Vietnam
In Saigon, Caroline Guiela Nguyen has created a four-hour theatrical tale based on the history of...
Read MorePosted by Yana Meerzon | 23rd Jul 2017 | Adaptation, Festivals, Japan
Antigone by Sophocles, directed by Satoshi Miyagi; music by Hiroko Tanakawa; scenography by...
Read MorePosted by Yana Meerzon | 22nd Jul 2017 | Festivals, New Zealand, Theatre and Gender
Standing in Time. texts by Rasha Abbas. Direction, scenography by Lemi Ponifasio; sound design...
Read MorePosted by Yana Meerzon | 22nd Jul 2017 | Festivals, Rwanda, Theatre and Gender, United Kingdom
My journey through the Festival d’Avignon this year (20171) has just begun, but I have already...
Read MorePosted by Yana Meerzon | 13th Feb 2017 | Canada, Theatre and Politics
On November 8, 2016, America elected its 45thPresident, Donald Trump, whose political forays,...
Read MorePosted by Yana Meerzon | 16th Sep 2016 | Canada, Festivals, Review
In today’s political, economic and social climate, with mass migration turning into a new norm, it...
Read More