Picasso’s “Barber” At The Spanish National Theatre
Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...
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Month: February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
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In the City of al-Sayyab, Theatre Still Speaks
Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...
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Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
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“Hamlet²” (“Amleto²”)
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
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The Trans Excellence of Faggotica
Anticipation and intrigue flood the room– a room which both is and is not the club. I and around...
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“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
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NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future
In January, the NYC Under the Radar Festival presented some of the most innovative and...
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Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
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“The Devil Wears Prada” and Other Musicals by Sir Elton John.
For American audiences, the musical The Devil Wears Prada, anticipated to premiere on Broadway in...
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The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025
The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...
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In Oldenburg’s “The Tempest,” Trusting The Text Pays Off
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
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Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”)
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
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Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
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Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
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“A Place Of Safety, A Journey In The Central Mediterranean”
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
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Most Popular Posts
- Olga Braga’s “Donbas” at Theatre 503: Complex… 20th February 2026
- In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
- Frantic Assembly’s “Lost Atoms” at the… 9th February 2026
- Terence Rattigan’s “Man and Boy” at the National… 19th February 2026
- “The Phantom Of The Opera” Returns To Mexico: A… 12th December 2025
