February 2026 - The Theatre Times

“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland

Posted by Teodora Medeleanu | 10th Feb 2026 | Essay, Festivals, Poland, Romania, Transcultural Collaborations

Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...

NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future

Posted by Victoria Zavyalova | 9th Feb 2026 | Australia, Festivals, Review, United States of America

In January, the NYC Under the Radar Festival presented some of the most innovative and...

Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland

Posted by Aleks Sierz | 9th Feb 2026 | London, Playwriting, Review, Theatre and Gender, United Kingdom

Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...

“The Devil Wears Prada” and Other Musicals by Sir Elton John.

Posted by Lisa Monde | 8th Feb 2026 | Essay, Musical Theatre, United States of America

For American audiences, the musical The Devil Wears Prada, anticipated to premiere on Broadway in...

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025

Posted by Paulina Peret | 6th Feb 2026 | Essay, Festivals, Poland

The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...

In Oldenburg’s “The Tempest,” Trusting The Text Pays Off

Posted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review

For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...

Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”)

Posted by Margaret Rose | 6th Feb 2026 | Directing, Italy, Review

Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...

Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)

Posted by Yizhou Zhang | 5th Feb 2026 | Argentina, Canada, Review, Theatre and Decolonization

A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...

Bad Data

Posted by Jonathan Kalb | 4th Feb 2026 | Playwriting, Review, United States of America

At the risk of sounding smug, let me say: I have been yowling, since the early days of the...

Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility

Posted by Maria Delgado | 4th Feb 2026 | Chile, Festivals, Review

There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...

“A Place Of Safety, A Journey In The Central Mediterranean”

Posted by Margaret Rose | 3rd Feb 2026 | Italy, Review, Theatre and Politics

A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...

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Month: February 2026

“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland

NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future

Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland

“The Devil Wears Prada” and Other Musicals by Sir Elton John.

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025

In Oldenburg’s “The Tempest,” Trusting The Text Pays Off

Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”)

Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)

Bad Data

Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility

“A Place Of Safety, A Journey In The Central Mediterranean”

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