April 2022 - Page 2 of 2 - The Theatre Times

The Dismantling of Mourning

Posted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics

Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...

Ambiguity and Amorality: Is Douglas Stewart’s “Ned Kelly” One of Australia’s Great Forgotten Plays?

Posted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics

In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...

Why Weren’t Women Allowed to Act in Shakespeare’s Plays?

Posted by Elizabeth Steinway | 7th Apr 2022 | Education, Essay, Theatre and Gender

Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...

An Argentinian Summer Theater Festival in Wintertime Madrid

Posted by Antonio Hernández Nieto | 6th Apr 2022 | Argentina, Festivals, News, Spain, Transcultural Collaborations

February is summer in Argentina, and most Argentinian theaters and companies are on holiday....

An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work

Posted by William Peterson | 5th Apr 2022 | Australia, LGBTQ+ Theatre, Musical Theatre, Review

Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....

“Blood Brothers” Tells a Tangled Tale of Nature Versus Nurture

Posted by Nobuko Tanaka | 4th Apr 2022 | Japan, Musical Theatre, Review

It’s an age-old question: Which is more important in determining the course of our lives, nature...

Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play

Posted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review

In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...

“The Human Voice” at Harold Pinter Theatre

Posted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom

Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...

“Shedding a Skin” at Soho Theatre

Posted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom

Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...

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Month: April 2022

The Dismantling of Mourning

Ambiguity and Amorality: Is Douglas Stewart’s “Ned Kelly” One of Australia’s Great Forgotten Plays?

Why Weren’t Women Allowed to Act in Shakespeare’s Plays?

An Argentinian Summer Theater Festival in Wintertime Madrid

An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work

“Blood Brothers” Tells a Tangled Tale of Nature Versus Nurture

Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play

“The Human Voice” at Harold Pinter Theatre

“Shedding a Skin” at Soho Theatre

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