“The Red Femicycle”: Gender Based Violence in Sharp Focus
The Red Femicycle brings into sharp focus Gender-Based Violence in a gut-wrenching and...
Read MorePosted by Tonderai Chiyindiko | 14th Dec 2020 | Review, South Africa, Theatre and Gender
The Red Femicycle brings into sharp focus Gender-Based Violence in a gut-wrenching and...
Read MorePosted by Aleks Sierz | 13th Dec 2020 | Covid-19, Review, United Kingdom
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
Read MorePosted by Trevor Boffone | 12th Dec 2020 | Festivals, Playwriting, United States of America
In October 2017, a group of Latinx playwrights came together in New York City to share space,...
Read MorePosted by Nobuko Tanaka | 11th Dec 2020 | Japan, Review, Theatre and Dance, Theatre and Politics
Sometimes a gesture of gratitude comes in the form of a carte blanche. Akira Shirai, the departing...
Read MorePosted by Elizabeth Kerr | 11th Dec 2020 | China, Hong Kong, Interview, Theatre and Film, United States of America
Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly...
Read MorePosted by Aleks Sierz | 10th Dec 2020 | Review, Transmedia, United Kingdom
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator....
Read MorePosted by Fu Beimeng | 10th Dec 2020 | China, Directing, Interview, Puppetry, Theatre and Opera
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
Read MorePosted by Taiwo Afolabi | 9th Dec 2020 | Applied Theatre, Essay, Nigeria, Theatre and Politics
Nasarawa state in the north-central region of Nigeria is known for agriculture, salt mining, and...
Read MorePosted by Emiliia Dementsova | 9th Dec 2020 | Festivals, Israel, News
If theater around the world previously sought to destroy the fourth wall, it has recently had to...
Read MorePosted by Ashley Steed | 8th Dec 2020 | Directing, Interview, Ireland
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
Read MorePosted by Colden Lamb | 7th Dec 2020 | Acting, Covid-19, Interview, Transmedia, United States of America
At first glance, one might consider portraying someone’s older brother, boyfriend, or therapist,...
Read MorePosted by Emmalynn Mallay | 6th Dec 2020 | London, Review, United Kingdom
Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...
Read MorePosted by John Brunner | 5th Dec 2020 | Europe, Theatre and Politics, Transcultural Collaborations
After seven months of dialogue and organization, a group of “more than 150 policymakers, artists,...
Read MorePosted by Alexander Fatouros | 4th Dec 2020 | Featured, New York, Participatory Theatre, Review, Theatre and Art, Theatre and Dance, United States of America
The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.
Read MorePosted by Natasha Tripney | 4th Dec 2020 | Acting, Immersive Theatre, Kosovo, Review
The audience sits on the stage looking out at a sea of empty seats. From this perspective, they...
Read MorePosted by Rute Costa | 3rd Dec 2020 | Dramaturgy, Interview, Theatre and Dance, United Kingdom
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
Read MorePosted by Charlie Gobbett | 2nd Dec 2020 | France, Translation, United Kingdom
What are the challenges in translating comedy for the stage? And how do you get your translation...
Read MorePosted by Michael Schweikardt | 1st Dec 2020 | Adaptation, Design, Transmedia
Recently a friend sent me a message that read, “I’m not sure if you have TikTok, but...
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