Day: October 31, 2019

Annie Baker’s “The Antipodes” at the National Theatre

Posted by Mert Dilek | 31st Oct 2019 | London, Review, United Kingdom, United States of America

“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...

Read More

“The Eighth Life (for Brilka)”: Dark Chocolate

Posted by Emiliia Dementsova | 31st Oct 2019 | Festivals, Germany, Review, Russia, Theatre Olympics 2019

The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...

Read More

Sarah Rutherford’s “The Girl Who Fell” at the Trafalgar Studios: Death, Mourning, Co-Incidence and Healing

Posted by Aleks Sierz | 31st Oct 2019 | London, Review, United Kingdom

Feeling guilty can be a drug. A powerful drug. Okay, it makes you feel bad, but at the same time,...

Read More

“XXX Neon Sign” Review: Embodied Performance About Working in a Brisbane Porno Shop

Posted by Melanie Walters | 31st Oct 2019 | Australia, Musical Theatre, Review

Review: XXX Neon Sign, composed by Dan Thorpe, Rumpus Theatre. More than perhaps any other...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026

Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest