Day: March 9, 2019

Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi

Posted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview

Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...

Read More

French Playwright Florian Zeller’s “The Son” at The Kiln Theatre

Posted by Aleks Sierz | 9th Mar 2019 | France, London, Review, United Kingdom

Well, you have to hand it to French playwright Florian Zeller — he’s certainly cracked the problem...

Read More

Who’s His Daddy?: Jeremy Harris’ “Daddy” at Signature Theatre Center

Posted by Jonathan Kalb | 9th Mar 2019 | LGBTQ+ Theatre, New York, Review, United States of America

The English author Samuel Butler once quipped grimly that the death of a father was “a new lease...

Read More

“Mary, Queen Of Scots” Is Newly Relevant In The Age Of #MeToo

Posted by Rosalind Smith | 9th Mar 2019 | Australia, Essay, Sydney, Theatre and Gender

The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026

Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest