Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Aleks Sierz | 9th Mar 2019 | France, London, Review, United Kingdom
Well, you have to hand it to French playwright Florian Zeller — he’s certainly cracked the problem...
Read MorePosted by Jonathan Kalb | 9th Mar 2019 | LGBTQ+ Theatre, New York, Review, United States of America
The English author Samuel Butler once quipped grimly that the death of a father was “a new lease...
Read MorePosted by Rosalind Smith | 9th Mar 2019 | Australia, Essay, Sydney, Theatre and Gender
The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...
Read More


“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 

Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026
Leading with Risk, Trust, and Intuition: An… by Susanna Sun 7th January 2026 