Month: April 2017

“The Hairy Ape” at the Park Avenue Armory, NYC

Posted by Jonathan Kalb | 2nd Apr 2017 | New York, Review, United States of America

As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...

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Mat Fraser, Disabled Actor And Advocate, Will Portray Richard III In New Play

Posted by Koos Couvée | 2nd Apr 2017 | Theatre and Disability, United Kingdom

An actor born with defects resulting from the drug Thalidomide has been cast as Shakespeare’s...

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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity

Posted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom

“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...

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Globalized Modernity in Contemporary Drama

Posted by Jürgen Berger | 2nd Apr 2017 | Germany, Playwriting

Current plays treat the great global contexts, but also take a look at family structures. There...

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“Hamlet” at the Tokyo Metropolitan Theatre

Posted by Nobuko Tanaka | 1st Apr 2017 | Japan, Transcultural Collaborations

John Caird is widely known as the co-director with fellow Englishman Trevor Nunn of Les...

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Interview: Mikhail Baryshnikov On The Premiere Of Brodsky/Baryshnikov Project In London

Posted by Irene Kukota | 1st Apr 2017 | Interview, Russia, United Kingdom

“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...

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