Tag: Vancouver

Towards a New Language of Theatre

Posted by Oliver Farry | 15th Apr 2021 | Festivals, Hong Kong, News, Theatre and Disability

In a year when a previously unknown virus spread like wildfire across the globe, theatre was...

Read More

Method And Message Of “12 Minute Madness” Are Clear, If Unfinished

Posted by Kelsey Blair | 26th Jun 2018 | Canada, Festivals, Review

Vancouver, British Columbia Kelsey Blair reviews Raina Von Waldenburg’s semi-autobiographical 12...

Read More

Dark Glass Theatre’s “Ruined” Brilliantly Tells A Story Of Humanity Under Seige–But A Predominantly White Audience (Re)Watching Trauma Is Troubling

Posted by Carla Chambers-Jeffreys | 4th Jun 2018 | Canada, Review, Theatre and Gender, Theatre and Politics

Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...

Read More

Compelling Performance And Complex Metaphor In “King Arthur’s Night” Make For Remarkable Theatre (PuSh Festival)

Posted by Jocelyn Pitsch | 8th May 2018 | Canada, Festivals, Review, Theatre and Disability

Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...

Read More

The Body Labours Sonorously In Foxconn “Frequency (no. 3)” at The PuSh Festival

Posted by Hayley Malouin | 7th May 2018 | Festivals, Hong Kong, Review

Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026

Recent Posts

In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026
“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London 1st May 2026
Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”. 1st May 2026
Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“Jen Xponential,” A Story Of Potential 24th April 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest