Towards a New Language of Theatre
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
Read MorePosted by Oliver Farry | 15th Apr 2021 | Festivals, Hong Kong, News, Theatre and Disability
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
Read MorePosted by Kelsey Blair | 26th Jun 2018 | Canada, Festivals, Review
Vancouver, British Columbia Kelsey Blair reviews Raina Von Waldenburg’s semi-autobiographical 12...
Read MorePosted by Carla Chambers-Jeffreys | 4th Jun 2018 | Canada, Review, Theatre and Gender, Theatre and Politics
Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...
Read MorePosted by Jocelyn Pitsch | 8th May 2018 | Canada, Festivals, Review, Theatre and Disability
Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...
Read MorePosted by Hayley Malouin | 7th May 2018 | Festivals, Hong Kong, Review
Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026