Edinburgh Festival Fringe 2025 in 22 Shows
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Mert Dilek | 28th Aug 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Mert Dilek | 19th Feb 2024 | London, Review, United Kingdom
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read MorePosted by Mert Dilek | 4th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
Read MorePosted by Leah Mercer | 22nd Dec 2023 | Australia, Review
At the End of the Land, a world premiere production by Western Australian interdisciplinary...
Read MorePosted by Mert Dilek | 20th Dec 2023 | London, Review, United Kingdom
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Kirk Dodd | 5th Nov 2023 | Australia, Review, Theatre and Gender
Shakespeare wrote his famous narrative poem Venus and Adonis in a lockdown era when, in 1593, the...
Read MorePosted by Tim Bale | 15th Oct 2023 | Review, Theatre and Politics, United Kingdom
If you’re looking for subtlety and sophistication, Harry Hill and Steve Brown’s Tony! The Tony...
Read MorePosted by Trevor Mukholi | 22nd Aug 2023 | Adaptation, Review, Uganda
When considering Okot p’Bitek’s perspective on African tradition, it becomes evident that change is inevitable. If African tradition is lived in the midst of the battle of life, then Lawino is not the character to focus on, as she refuses to acknowledge the possibility of change. Similarly, Ocol negates everything about himself to accommodate the other, but his transformation is ultimately revealed to be superficial. Opio and Clementine, however, require a more nuanced examination, as their experiences shed light on the agency of individuals in this exchange of aesthetics and epistemology.
Read MorePosted by Kitty Brandon-James & Alma Prelec | 5th Aug 2023 | Festivals, Review, Russian Theatre Abroad, Theatre and Politics, United Kingdom
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
Read MorePosted by Chen Tian | 1st Jul 2023 | China, Chinese Theatre and Opera, Review
Kunqu opera has made a commercial comeback over the past two decades, but a recent adaptation of...
Read MorePosted by Mert Dilek | 29th Jun 2023 | Review, Theatre and Politics, United Kingdom
Martin McDonagh is perhaps better known today globally for his recent accomplishments on screen as...
Read MorePosted by Sarah-Jane Coyle | 22nd Jun 2023 | Review, Theatre and Politics, United Kingdom
Ken Loach’s 2016 film I, Daniel Blake is a scathing indictment of the British benefits system. The...
Read MorePosted by Aleks Sierz | 3rd May 2023 | Adaptation, London, Review, United Kingdom
Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....
Read MorePosted by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
Read MorePosted by Aleks Sierz | 13th Apr 2023 | London, Review, Theatre and Politics, United Kingdom
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...
Read MorePosted by Penelope Woods | 11th Apr 2023 | London, Review, United Kingdom
The Winter’s Tale is one of Shakespeare’s great “hospitality plays” — a tragicomedy about what...
Read MorePosted by Aisha Malik | 20th Mar 2023 | Australia, Review, Theatre and Gender
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...
Read MorePosted by Kate Hunter | 17th Feb 2023 | Australia, Melbourne, Review, Theatre and Science
Deep in the remote Pilbara region of Western Australia, the town of Wittenoom lies empty,...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026