Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
Read MorePosted by Aleks Sierz | 8th Apr 2026 | Adaptation, Review, United Kingdom
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
Read MorePosted by Aleks Sierz | 26th Oct 2025 | London, Playwriting, Review, United Kingdom
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
Read MorePosted by Aleks Sierz | 30th Mar 2022 | London, Review, Theatre and Gender, United Kingdom
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
Read MorePosted by Jonathan Kalb | 23rd Dec 2021 | Adaptation, New York, Review, Theatre and Gender, United States of America
As most people reading this will already know, Company was first reworked for a female Bobbie...
Read MorePosted by Aleks Sierz | 16th Nov 2018 | Adaptation, London, Puppetry, Review, United Kingdom
In the days after the widespread commemorations of the 100th anniversary of the end of the first...
Read MorePosted by Alice Jones | 6th Nov 2018 | London, Musical Theatre, Review, United Kingdom
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Aleks Sierz | 24th Oct 2017 | London, Playwriting, Review, United Kingdom
Playwright Simon Stephens and director Marianne Elliott are hyped as a winning partnership. Their...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 