Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
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Tag: Marianne Elliott
Nick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
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“Cock” at The Ambassadors Theatre
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
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Little Things We Do Together—Marianne Elliott’s “Company”
As most people reading this will already know, Company was first reworked for a female Bobbie...
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Nick Stafford’s “War Horse” At The National Theatre
In the days after the widespread commemorations of the 100th anniversary of the end of the first...
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“Company” Review, Gielgud Theatre: “You Can’t Imagine It Being Staged Any Other Way Again”
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
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“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
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“Heisenberg: The Uncertainty Principle” at Wyndham’s Theatre
Playwright Simon Stephens and director Marianne Elliott are hyped as a winning partnership. Their...
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