Tag: Latinx Theatre

Family, Latinidad, and Queerness Coalesce In Marga Gomez’s “Latin Standards”

Posted by Trevor Boffone | 2nd Nov 2017 | LGBTQ+ Theatre, Playwriting, Review, United States of America

Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...

Read More

When We Arrive, Cuando lleguemos: Cara Mía’s “Deferred Action” In Houston

Posted by Trevor Boffone | 3rd Oct 2017 | Theatre and Politics, United States of America

David Lozano and Lee Trull’s critically acclaimed play Deferred Action is coming to Talento...

Read More

From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith

Posted by Trevor Boffone | 21st Sep 2017 | Interview, Playwriting, United States of America

While Charise Castro Smith began her career as an actor, in recent years the Miami native has...

Read More

High Flying, Adored? When “Evita” Gets Whitewashed

Posted by Trevor Boffone | 8th Sep 2017 | Musical Theatre, United States of America

How many major Latinx or Latin American characters can you name from mainstream musical theatre...

Read More

Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta

Posted by Trevor Boffone | 2nd Jul 2017 | Interview, Playwriting, United States of America

While working on her MFA in Writing from the University of San Francisco, playwright Marisela...

Read More

1
2

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Everything In Programming Matters To Cultivate The… by Ivanka Apostolova Baskar 7th April 2026

Recent Posts

Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“Jen Xponential,” A Story Of Potential 24th April 2026
“Frankenstein (History Of Hate)” 23rd April 2026
“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire. 22nd April 2026
“Handle With Care” At Milan’s FOG Festival 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest