Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read MorePosted by Emilija Kvočka | 18th Mar 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Jana Perkovic | 23rd Sep 2018 | Playwriting, Review, Theatre and Gender
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
Read MorePosted by Sandra D'urso | 3rd Aug 2018 | Adaptation, Australia, Review, Theatre and Film
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
Read MorePosted by culture.pl | 29th Jul 2018 | News, Poland, Transmedia
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
Read MorePosted by Anne Liisberg | 30th Mar 2018 | Denmark, News
Yet more adaptations, strong Danish voices, golden oldies, the music accompanying most...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026