Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read MorePosted by Eylül Fidan Akıncı | 20th Jun 2024 | Iran, Review, Theatre and Politics
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read MorePosted by Farinaz Kavianifar | 21st Mar 2021 | Directing, Interview, Iran
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
Read MorePosted by Farinaz Kavianifar | 14th Jul 2019 | Interview, Iran, Transcultural Collaborations
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
Read MorePosted by Farinaz Kavianifar | 23rd May 2019 | Directing, Iran, Review, Theatre and Politics
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
Read MorePosted by Rasoul Nazarzādeh | 3rd Feb 2019 | Iran, Review, Theatre and Gender
The privatization of theatre in Iran has compelled many theatre directors and producers to become...
Read MorePosted by Marjan Moosavi | 8th Jun 2017 | Essay, Iran, Theatre and Politics
Independent theatres around the world pursue a twofold socio-economic and artistic goal and aim to make financial resources accessible to all individuals and groups as well as developing new theatrical experiences. The broad...
Read MorePosted by Marjan Moosavi | 5th Nov 2016 | Iran, News, Transcultural Collaborations
From October 30 to November 1, directors of theatre and performing arts from twelve countries of...
Read MorePosted by Marjan Moosavi | 29th Jul 2016 | Festivals, Iran, Review
Hearing by Amir Reza Koohestani to be Performed at Festival d’Avignon, July 21-24, 2016 Iranian...
Read MorePosted by Ilana Walder-Biesanz | 7th Sep 2014 | Festivals, Germany, Iran, Review, Russian Theatre Abroad, Transcultural Collaborations
“Alienation” drones Ivanov’s English-learning tape in the second act of the production. The...
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 


From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
