A Mid-Pandemic Letter To The City Of Ottawa From A Young Theatre Critic (CC: GCTC’s Daisy)
It’s been a strange few weeks. Despite the unprecedented scope of this cultural wound, I write to...
Read MorePosted by Aisling Murphy | 14th Apr 2020 | Canada, Essay, Theatre and Science
It’s been a strange few weeks. Despite the unprecedented scope of this cultural wound, I write to...
Read MorePosted by Ryan Pepper | 26th Mar 2019 | Canada, Review
It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...
Read MorePosted by Ryan Pepper | 16th Oct 2018 | Canada, Review
Kate Hennig’s The Virgin Trial is a must-see gritty political crime drama that upends expectations...
Read MorePosted by Patrick Langston | 24th Sep 2018 | Canada, Review, Theatre and Gender
We can’t get enough of the Tudors, can we? From movies and historical fiction to the television...
Read MorePosted by Iris Winston | 9th May 2018 | Canada, Review
Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...
Read MorePosted by Laurie Fyffe | 23rd Apr 2018 | Canada, Festivals, News, Playwriting, Theatre and Gender
In 2017, I came across the Ergo Arts Pink Festival with a mandate as follows: “Ergo Pink Fest is a...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 



Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 