Duncan Macmillan’s Every Brilliant Thing at @Sohoplace: Moving Mixture Of Joyous Theatricality And Serious Mental Health Themes
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read MorePosted by Aleks Sierz | 23rd Aug 2025 | Playwriting, Review, United Kingdom
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read MorePosted by Duška Radosavljević | 29th Aug 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read MorePosted by Aleks Sierz | 26th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read MorePosted by Abhimanyu Acharya | 10th Sep 2019 | India, Review, Theatre and Age
In a country where mental illness is as big an issue as poverty is but is not talked about and dealt with the same zeal and enthusiasm, Mumbai-based QTP’s latest production Every Brilliant thing, written by British playwrights Duncan Macmillan and Jonny Donahoe, and directed by Quasar Thakore-Padamsee, comes as a much needed venture.
Read MorePosted by Aleks Sierz | 8th May 2019 | London, Review, Translation, United Kingdom
Rosmersholm is considered a difficult and rarely performed play. But, judging from this...
Read MorePosted by Patrick Langston | 5th Feb 2019 | Canada, Review, Theatre and Science
What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...
Read MorePosted by Aleks Sierz | 12th Dec 2017 | Essay, London, Playwriting, Review, Theatre and Politics, United Kingdom
Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...
Read MorePosted by Sigríður Jónsdóttir | 29th Sep 2017 | Adaptation, Iceland, Theatre and Politics
“If one is to rule, and to continue ruling, one must be able to dislocate the sense of reality.”...
Read MorePosted by Sam Solnick | 23rd Oct 2016 | Essay, United Kingdom
Oil, Ella Hickson’s new play at the Almeida, begins in a bitingly cold Cornwall in 1889 when a...
Read MorePosted by Robert Hassan | 14th Oct 2015 | Adaptation, Australia, Melbourne, Review
The blurb for Robert Icke and Duncan Macmillan’s stage adaption of George Orwell’s 1984 for the...
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