British Archives - The Theatre Times

I, Daniel Blake On stage is a Powerful Representation of Real People Struggling in the Cost of Living Crisis

Posted by Sarah-Jane Coyle | 22nd Jun 2023 | Review, Theatre and Politics, United Kingdom

Ken Loach’s 2016 film I, Daniel Blake is a scathing indictment of the British benefits system. The...

“For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy” at Royal Court

Posted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom

What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...

“Cyprus Avenue”: A Shocking Exploration of Trauma and Identity

Posted by Emmalynn Mallay | 6th Dec 2020 | London, Review, United Kingdom

Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...

Czech Centre London Presents: “Velvet Havel”

Posted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review

To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...

Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today

Posted by Vivienne Glance | 7th Jul 2019 | Australia, Producing, Review

Set in a regional Australian newsroom in the 1890s, Oriel Gray’s The Torrents is a play about...

“Salt” at The Royal Court

Posted by Aleks Sierz | 27th May 2019 | London, Review, United Kingdom

Most of the facts about the Atlantic slave trade are well known; what is less understood is how...

It’s Shakespeare’s “Hamlet,” But Not As You Know It

Posted by Nobuko Tanaka | 16th May 2019 | Adaptation, Japan, News, Transcultural Collaborations

With praise for his Hamlet with the Royal Shakespeare Company in 2016 still ringing in his ears —...

Absurdist Comedy “Every Good Boy Deserves Favour” Gets Its Japan Debut

Posted by Nobuko Tanaka | 4th May 2019 | Adaptation, Japan, News, Transcultural Collaborations

Tom Stoppard is one of the most influential figures in theater today and one of the most...

2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak

Posted by Nobuko Tanaka | 22nd Dec 2018 | Japan, Musical Theatre, News, Transcultural Collaborations

Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in...

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

Posted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender

Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...

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Tag: British

I, Daniel Blake On stage is a Powerful Representation of Real People Struggling in the Cost of Living Crisis

“For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy” at Royal Court

“Cyprus Avenue”: A Shocking Exploration of Trauma and Identity

Czech Centre London Presents: “Velvet Havel”

Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today

“Salt” at The Royal Court

It’s Shakespeare’s “Hamlet,” But Not As You Know It

Absurdist Comedy “Every Good Boy Deserves Favour” Gets Its Japan Debut

2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

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